Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
For a second time Cartaret had that quick vision of the sunlight upon
snow-crests and the virgin sheen of unattainable mountain tops....
CHAPTER II
PROVIDING THE GENTLE READER WITH A CARD OF ADMISSION TO THE NEST OF
THE TWO DOVES
Dans ces questions de crédit, il faut toujours frapper
l'imagination. L'idée de génie, c'est de prendre dans la
poche des gens l'argent qui n'y est pas encore.--Zola:
_L'Argent_.
Until just before the appearance of Charlie Cartaret's rosy vision,
this had been a day of darkness and wet. Rain--a dull, hopeless,
February rain--fell with implacable monotony. It descended in fine
spray, as if too lazy to hurry, yet too spiteful to stop. It made all
Paris miserable; but, as is the way with Parisian rains, it was a
great deal wetter on the Left Bank of the Seine than on the Right.
No rain--not even in those happy times before the great war--ever
washed the Left Bank clean, and this one only made it a marsh. A
curtain of fog fell sheer between the Isle de la Cité and the Quai des
Augustins; the twin towers of St. Sulpice staggered up into a pall of
fog and were lost in it. The gray houses hunched their shoulders,
lowered their heads, drew their mansard hats and gabled caps over
their noses and stood like rows of patient horses at a cabstand under
the gray downpour. Now and again a real cab scuttled along the
streets, its skinny beast clop-clopping over the wooden paving, or
slipping among the cobbled ways, its driver hidden under a mountainous
pile of woolen great-coat and rubber cape. Even the taxis lacked the
proud air with which they habitually splash pedestrians, and such
pedestrians as business forced upon the early afternoon thoroughfares
went with heads bowed like the houses' and umbrellas leveled like
flying-jibs.
In front of the little Café Des Deux Colombes, the two marble-topped
tables which occupied its scant frontage on the rue Jacob were
deserted by all save their four iron-backed chairs with wet seats and
their twin water-bottles into which, with mathematical precision,
water dropped from a pair of holes in the sagging canvas overhead.
Inside, however, there were lighted gas-jets, the proprietor and the
proprietor's wife--presumably the pair of doves for whom the Café was
named--and a man that was trying to look like a customer.
Public-domain text, read in full here on John Shaqi.
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