Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
What an ass he had been, he bitterly reflected, as he passed again
through the Luxembourg Gardens, where now the statues glistened in the
fading light of the dying afternoon. What a mad ass! If a single
stroke of almost pathetically small good luck made such a fool of
him, it was as well that his uncle and not his father had come into a
fortune.
His thought went back with a new tenderness to his father and to his
own and his sister Cora's early life in that small Ohio town. He had
hated the dull routine and narrow conventionality of the place. There
the most daring romance of youth had been to walk with the daughter of
a neighbor along the shaded streets in the Summer evenings, and to
hang over the gate to the front yard of the house in which she lived,
tremblingly hinting at a delicious tenderness, which one never dared
more adequately to express, until a threatening parental voice called
the girl to shelter. His life, since those days, had been more
stirring, and sometimes more to be regretted; but he had loved it and
thought it absurd sentiment on Cora's part to insist that their tiny
income go to keeping up the little property--the three-story brick
house and wide front and back-yard along Main Street--which had been
their home. Yet now he felt, and was half ashamed of feeling, a
strong desire to go back there, a pull at his heartstrings for a
return to all that he was once so anxious to quit forever.
He wondered if it could be possible that he was tired of Paris. He
even wondered if it were possible that he could not be a successful
artist--he had never wanted to be a rich one--whether the sensible
course would not be to go home and study law while there was yet
time....
And then----
Then, in the rose-pink twilight, the beginning of the Dream Wonderful:
that scent of the roses from the sky; that quick memory of sunlight
upon snow-crests; that first revelation of the celestial Lady
transfiguring the earthly commonplace of his room!
CHAPTER IV
A DAMSEL IN DISTRESS
... Adowne
They prayd him sit, and gave him for to feed.
--Spenser: _Faerie Queene_.
Charlie Cartaret would have told you--indeed, he frequently did tell
his friends--that the mere fact of a man being an artist was no proof
that he lacked in the uncommon sense commonly known as common.
Cartaret was quite insistent upon this and, as evidence in favor of
his contention, he was accustomed to point to C. Cartaret, Esq. He,
said Cartaret, was at once an artist and a practical man: it was
wholly impossible, for instance, to imagine him capable of any silly
romance.
Public-domain text, read in full here on John Shaqi.
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