Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
It was said so frankly that even Cartaret's present mood could not
resist its sincerity. Charlie frowned and put both his hands on
Seraphin's shoulders.
"Dieudonné," he said, "I'm in trouble."
"I feared it."
"Not money-trouble."
"I feared that it was not money-trouble."
"You understood?"
"I guessed. You have been so happy of late, while you were so poor,
that to absent yourself from this gayety when you were rich----" An
expressive gesture finished the sentence. "Besides," added Seraphin,
"one cannot be happy long, and when you told me that you had money, I
feared that you would lose something else."
Cartaret wrung the hand of his friend.
"Go back," he said. "Go back and tell them that it's not pride. Tell
them it's illness. I _am_ ill. It was good of you to come here, but
there's nothing you can do just now. To-morrow, or next day, perhaps I
can talk to you about it. Perhaps. But not now. I couldn't talk to any
one now. Good-night."
He sat down again--sat silent for many hours after he had heard
Seraphin's footsteps die away down the stairs. He heard the
hurdy-gurdy and thought that he could not bear it. He heard the other
lodgers return. He heard the strange sounds--the creaking boards, the
complaining stairway, the whispering of curtains--which are the
night-sounds of every house. In the ear of his mind, he heard the
voices of his distant guests:
"What woman's lips compare to this:
This sturdy seidel's frothy kiss?----"
Because he grew afraid of the ghosts of doubt that haunt the darkness,
he lighted his lamp; but for a long time the ghosts remained.
This was the very room in which he had told her that he loved her;
this desert place was once the garden in which he had said that little
of what was so much. She had stood by that table (so shabby now!) and
made it a wonderful thing. She had touched that curtain; her fingers,
at parting, had held that rattling handle of the shattered door. He
half thought that the door might open and reveal her, even now. Memory
joined hands with love to make her poignantly present. Her lightest
word, her least action: his mind retained them and rehearsed them
every one. The music of her laughter, the melody of her grace, wove
spells in the lamplit room; but they ceased as she had ceased; they
left the song unfinished, they stopped in the middle of a bar.
He wondered whether it must always remain unfinished, this allegro of
love in what, without it, would be the dull biographic symphony of
his life; whether he would grow to be an old man with no memories but
broken memories to warm his heart; and whether even this memory would
become as the mere memory of a beautiful portrait seen in youth, a
Ghirlandaio's or a Guido Reni's work, some other man's vision, a part
of the whole world's rich heritage, a portion of the eternal riddle of
existence.
Public-domain text, read in full here on John Shaqi.
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