Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
"So short a time ago," crooned the ghosts--"and doubtless she has
already forgotten you. You have but touched her hands: how could you
hope that you had touched her heart? She will be happy, though she
knows that you are unhappy; glad, though you are desolate. You gave
her your dreams to keep, your hopes, your faith in love and womankind:
and this is what she did with them! They are withered like that rose."
He had put the yellow thing against his heart, where once he had put
it when it was fresh and pure. He drew it out now and looked at it.
What did it mean--that message of the rose? That, as she had once
treasured the flower, so now she would treasure in its place her
memory of him?
"It means," chanted the ghosts, "that her friendship is as dead as
this dry flower!"
Did it? He would make one trial more.
Vivid as was her face in his mind, he brought to the lamp his pictures
of her. She had liked those pictures; in spite of herself, she had
shown him that she liked them----
(The ghosts were crooning:
"Though you had the brush of Diego Velasquez, she would not heed you
now!")
Had he painted her--he had tried to--as she should have been? Or had
he painted her as she really was?
He searched the pictures. Her eyes seemed to look at him with a long
farewell in their blue-black depths, the parted lips to tremble on a
sob. A light was born in the canvas--the reflected light of his own
high faith revived. Whatever separated them, it was by no will of
hers. No, there was no ghost in all the fields of night that he would
listen to again: in that pictured face there was as much of pride as
there was of beauty, but there was nothing of either cruelty or
deceit. Yes, he had only touched her hand, but certainly hand had
never yet touched hand as his touched hers. He was sure of it and sure
of her. A short acquaintance--it had been long enough to prove her. A
few broken words in the twilight--they were volumes. The merest breath
of feeling--it would last them to their graves.
He would move earth and Heaven to find Vitoria: the wine of that
resolution rang in his ears and fired his heart. The sun, coming up
over the Panthéon in a glory of red and gold, sent into Cartaret's
room a shining messenger of royal encouragement before whose sword the
ghosts forever fled. The lover was almost gay again: here was new
service for her; here, for him, was work, the best surcease of sorrow.
He felt like an athlete trained to the minute and crouching for the
starter's pistol-shot. He believed in Vitoria! He believed in her, and
so he could not doubt his own ability to discover her in the face of
all hardships and to win her against all odds; he believed in her and
in himself, and so he could not doubt God.
Public-domain text, read in full here on John Shaqi.
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