'It is old and plain: The spinsters and the knitters in the sun, And the free maids that weave their thread with bones Do use to chaunt it; it is silly sooth, And dallies with the innocence of love Like the old age.' In the long struggle with our 'auld enemies' of England that followed Bannockburn; in the quarrels between nobles and king; in the feuds of noble with noble and of laird with laird that continued for nearly three hundred years, themes and inspirations for the ballad muse came thick and fast. It was not alone, or chiefly, kingly doings and great national events that awakened the minstrel's voice and strings. Harpers and people had their favourite clans and names--a favour won most readily by those who were free both with purse and with sword. The Gordons of the North; and, in the South, Graemes, Scotts, Armstrongs, Douglases, are among the races that figure most prominently in ballad poetry. The great house of Douglas, in particular, is in the eyes and lips of romance and legend more honoured than the Stewarts themselves. The Douglas is the hero of both the Scottish and English versions of _Chevy Chase_. Hume of Godscroft, in his _History of the House of Angus_, written in 1644, has saved for us several scraps of traditional song celebrating the wrongs or the exploits of the Douglases, some of which must have originated at least as early as the second half of the fourteenth century, and can be identified in ballads that are extant and sung in the present day. One of them, quoted by Scott in his _Minstrelsy_, and times out of number since, unmistakably reveals the singer's sympathies. It is the verse that commemorates the treacherous slaughter of William, sixth Earl of Douglas, and his brother in 1440, by that great enemy of his race, James II., after the fatal 'black bull's head' had been set before them at the banquet to which they had been invited by the king: 'Edinburgh Castle, towne and toure, God grant thou sink for sinne! And that even for the black dinour Erl Douglas gat therein.' Another records with glee the Douglas triumph when, in 1528, 'The Earl of Argyle had bound him to ride' into the Merse by the Pass of Pease, but was met and discomfited at 'Edgebucklin Brae.' In another, and much earlier fragment, recording how William Douglas the 'Knight of Liddesdale,' was met and slain by his kinsman, the Earl of Douglas, at the spot now known as Williamshope in Ettrick Forest, after the Countess had written letters to the doomed man 'to dissuade him from that hunting,' we may perhaps discover a germ of _Little Musgrave_, or trace situations and phrases that reappear in _The Douglas Tragedy_, _Gil Morice_, and their variants.