Inconceivable as it may seem that any rational man should yearn for New
York in August, that and nothing less was what Staff wanted with all his
heart. He wanted to go home and swelter and be swindled by taxicab
drivers and snubbed by imported head-waiters; he wanted to patronise the
subway at peril of asphyxiation and to walk down Fifth Avenue at that
witching hour when electric globes begin to dot the dusk of
evening--pale moons of a world of steel and stone; he wanted to ride in
elevators instead of lifts, in trolley-cars instead of trams; he wanted
to go to a ball-game at the Polo Grounds, to dine dressed as he pleased,
to insult his intelligence with a roof-garden show if he felt so
disposed, and to see for himself just how much of Town had been torn
down in the two months of his exile and what they were going to put up
in its place. He wanted, in short, his own people; more specifically he
wanted just one of them, meaning to marry her if she'd have him.
Now to be homesick and lovesick all at once is a tremendously disturbing
state of affairs. So influenced, the strongest men are prone to folly.
Staff, for instance, had excellent reason to doubt the advisability of
leaving London just then, with an unfinished play on his hands; but he
was really no more than a mere, normal human being, and he did want very
badly to go home. If it was a sharp struggle, it was a short one that
prefaced his decision.
Of a sudden he rose, called for his bill and paid it, called for his hat
and stick, got them, and resolutely--yet with a furtive air, as one who
would throw a dogging conscience off the scent--fled the premises of his
club, shaping a course through Whitehall and Charing Cross to Cockspur
Street, where, with the unerring instinct of a homing pigeon, he dodged
hastily into the booking-office of a steamship company.
Now Mystery is where one finds it, and Romantic Adventure is as a rule
to be come upon infesting the same identical premises. Mr. Staff was not
seeking mysteries and the last role in the world in which he could fancy
himself was that of Romantic Adventurer. But in retrospect he can see
quite clearly that it was there, in the humdrum and prosaic setting of a
steamship booking-office, that he first stumbled (all unwittingly) into
the toils of his Great Adventure.
When he entered, there was but one other person on the outer or public
side of the booking-counter; and he, sticking close in a far corner and
inaudibly conferring with a clerk, seemed so slight and unpretending a
body that Staff overlooked his existence altogether until circumstances
obliged him to recognise it.
Public-domain text, read in full here on John Shaqi.
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