"Oh, it's hardly worth talking about, dear boy. Only--there's the
ingenue role; you've given her too much to do; she's on the stage in all
of my biggest scenes, and has business enough in them to spoil my best
effects. Of course, that can be arranged. And then the leading man's
part--I don't want to seem hypercritical, but he's altogether too
clever; you mustn't let him overshadow the heroine the way he does; some
of his business is plainly hers--I can see myself doing it infinitely
better than any leading man we could afford to engage. And those witty
lines you've put into his mouth--I _must_ have them; you won't find it
hard, I'm sure, to twist the lines a bit, so that they come from the
heroine rather than the hero...."
Staff held up a warning hand, and laughed.
"Just a minute, Alison," said he. "Remember this is a play, not a
background for you. And with a play it's much as with matrimony: if
either turns out to be a monologue it's bound to be a failure."
Alison frowned slightly, then forced a laugh, and rose. "You authors are
all alike," she complained, pouting; "I mean, as authors. But I'm not
going to have any trouble with you, dear boy. We'll agree on everything;
I'm going to be reasonable and you've _got_ to be. Besides, we've heaps
of time to talk it over. Now I'm going to change and get up on deck.
Will you wait for me in the saloon, outside? I shan't be ten minutes."
"Will I?" he laughed. "Your only trouble will be to keep me away from
your door, this trip." He gathered up his manuscript and steamer-cap,
then with his hand on the door-knob paused. "Oh, I forgot that blessed
bandbox!"
"Never mind that now," said Alison. "I'll have Jane repack it and take
it back to your steward. Besides, I'm in a hurry, stifling for fresh
air. Just give me twenty minutes...."
She offered him a hand, and he bowed his lips to it; then quietly let
himself out into the alleyway.
VI
IFF?
Late that night, Staff drifted into the smoking-room, which he found
rather sparsely patronised. This fact surprised him no less than its
explanation: it was after eleven o'clock. He had hardly realised the
flight of time, so absorbed had he been all evening in argument with
Alison Landis.
There remained in the smoking-room, at this late hour, but half a dozen
detached men, smoking and talking over their nightcaps, and one table of
bridge players--in whose number, of course, there was Mr. Iff.
Nodding abstractedly to the little man, Staff found a quiet corner and
sat him down with a sigh and a shake of his head that illustrated
vividly his frame of mind. He was a little blue and more than a little
distressed. And this was nothing but natural, since he was still in the
throes of the discovery that one man can hardly with success play the
dual role of playwright and sweetheart to a successful actress.
Public-domain text, read in full here on John Shaqi.
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