The barber's chair; and, The hedgehog lettersJerrold, Douglas William
General
The barber's chair; and, The hedgehog letters
Jerrold, Douglas William
English literature -- 19th century; English wit and humor
_Slowgoe._ Is it true what I have heard, that the Duke of Wellington (a
great man the Duke; only Catholic ’Mancipation is a little spick upon
him)--is it true that the Duke’s to have a ’questrian statue on the
Hyde Park arch?
_Tickle._ Why, it _was_ true, only the cab and bus men have petitioned
Parliament against it. They said it was such bad taste ’twould frighten
their horses.
_Slowgoe._ Shouldn’t wonder. And what’s become of it?
_Tickle._ Why, it’s been at livery in the Harrow Road, eating its head
off, these two months. Sent up the iron trade wonderful. Tenpenny nails
are worth a shilling now.
_Slowgoe._ Dear me, how trade fluctuates! And what _will_ Government do
with it?
_Tickle._ Why, Mr Hume’s going to cut down the army estimates--going
to reduce ’em--our Life Guardsmen; one of the two that always stands
at the Horse Guards; and vote the statue of the Duke there instead.
Next to being on the top of a arch, the best thing, they say, is to
be under it. Besides, there’s economy. For Mr Hume has summed it up;
and in two hundred years, five weeks, two days, and three hours, the
statue--bought at cost price, for the horse is going to the dogs--will
be cheaper by five and twopence than a Life-Guardsman’s pay for the
same time.
_Slowgoe._ The Duke’s a great man, and it’s my opinion----
_Nutts._ Never have an opinion when you’re being shaved. If you whobble
your tongue about in that way, I shall nick you. Sorry to do it; but
can’t wait for your opinion. Have a family, and must go on with my
business. Anything doing at the playhouses, Mr Nosebag?
_Nosebag._ Well, I don’t know; not much. I go on sticking their bills
in course, as a matter of business; but I never goes. Fash’nable
hours--for now I always teas at seven--won’t let me. As I say, I stick
their posters, but I haven’t the pride in ’em I used to have.
_Tickle._ How’s that, Nosey?
_Nosebag._ Why, seriously, they have so much gammon. I’ve stuck
“Overflowing Houses” so often, I wonder I haven’t been washed off
my feet. And then the “Tremendous Hits” I’ve contin’ally had in my
eye--Oh, for a lover of the real drama--you don’t know my feelings!
_Nutts._ The actors do certainly bang away in large type now.
_Nosebag._ And the worst of it is, Mr Nutts, there seems a fate in it;
for the bigger the type the smaller the player. I could show you a
playbill with Mr Garrick’s name in it not the eighth of an inch. And
now, if you want to measure on the wall “Mr Snooks as Hamlet,” why, you
must take a three-foot rule to do it. Don’t talk on it. The players
break my heart; but I go on sticking ’em of course.
_Nutts._ To be sure. Business before feelings. Have you seen Miss
Rayshall, the French actress at the St James’s?
_Nosebag._ Not yet. I’m waiting till she goes to the ’Aymarket.
_Tickle._ But she isn’t a-going there.
_Nosebag._ Isn’t she? How can she help it? Being of the French stage,
somebody’s safe to translate her.
Public-domain text, read in full here on John Shaqi.
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