The Baritone's Parish; or, "All Things to All Men" — John Shaqi
The Baritone's Parish; or, "All Things to All Men"Ludlow, James M. (James Meeker)
General
The Baritone's Parish; or, "All Things to All Men"
Ludlow, James M. (James Meeker)
Alcoholics -- Fiction; Christian life -- Fiction; Clergy -- Fiction; Singers -- Fiction
"Leave that to me."
"That's a blind sort of an invitation, doctor. But, of course, I will
go anywhere you want me to. But what is it? Some holy Sorosis? That
reformed theater you talk about? Any charge for admittance, or
collection? Of course, going with a distinguished clergyman I shall
have to appear in swallow-tails and arctic shirt-front."
"Not a bit of it, Phil; your oldest clothes, so that you will look just
as mean as you say you feel; then, for once, you can't accuse yourself
of being a hypocrite."
There was a motley crowd in the front room of a Bowery twenty-cent
lodging-house. The room was the parlor, but the occupants called it
the "deck," in distinction from the rest of the house, which was filled
with bunks. There were hard old soakers in a periodical state of
repentance; or, to speak more scientifically, in that state of
gland-moistening that comes after a certain amount of poor beer has
permeated the system. There were young prodigals, in there for the
night because they had no money for a night's carousal elsewhere.
There was a sprinkling of honest men, thankful for even this refuge
from the sleety streets. There were some two hundred pieces of the
great human wreck made by the hard times, which were beached in Brady's
Harbor, as the place was called.
The usual hubbub had calmed while a story-teller, who sat on the edge
of a table, and whose slouch-hat and high ulster collar did not
altogether conceal the genial face of Dr. Knox, entertained the crowd
with old army yarns, which, as usual with such literature, were taken
largely from the apocryphal portion of our national annals.
"Bully for you! Give us another!" was the encore, emphasized with the
rattle of backgammon-boards and boot-heels.
"Haven't any more; but I have a friend here who will bring up the
reserves in the way of a song."
"Song, song! Rosin your larynx, old boy!" greeted the suggestion,
while the crowd gathered closer about Vox, and several who had "turned
in" for the night turned out of their bunks again, minus coats and
boots. A friendly slap on the back by something less than a ten-pound
hand helped the singer to clear his throat.
Vox gave them "O'Grady's Goat" and one or two other classics of the
Tenderloin district, with the rapt appreciation of his audience. Tom
Moore's "Minstrel Boy," to the genuine old Irish melody, struck the
heroic chord in the breasts of men most of whom were deserters from the
real battle-fields of life. Then Vox dropped into a lullaby. The
tender mother words given in his masculine tones seemed a burlesque as
he began; but the deep bass took on the softness and sweetness of a
contralto, and made one think, if not of a mother cooing to her baby,
at least of some rough, great-hearted man who had found a lost child
and was rocking it to sleep in his strong arms. More than one greasy
sleeve got into its owner's eyes before Vox ended.
Public-domain text, read in full here on John Shaqi.
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