The Bark Canoes and Skin Boats of North AmericaChapelle, Howard Irving
History
The Bark Canoes and Skin Boats of North America
Chapelle, Howard Irving
Canoes and canoeing -- North America; Indians of North America -- Boats; Skin boats -- North America
It may seem strange, then, that the literature on American bark canoes
is so limited. Many possible explanations for this might be offered.
One is that the art of bark canoe building died early, as the Indians
came into contact with the whites, before there was any attempt fully
to record Indian culture. The bark canoe is fragile compared to the
dugout. The latter might last hundreds of years submerged in a bog, but
the bark canoe will not last more than a few decades. It is difficult,
in fact, to preserve bark canoes in museums, for as they age and the
bark becomes brittle, they are easily damaged in moving and handling.
Some small models made by Indians are preserved, but, like most models
made by primitive men, these are not to any scale and do not show
with equal accuracy all parts of the canoes they represent. They are,
therefore, of value only when full-sized canoes of the same type are
available for comparison, but this is too rarely the case with the
American Indian bark canoes. Today the builders who might have added to
our knowledge are long dead.
It might be said fairly that those who had the best opportunities to
observe, including many whose profession it was to record the culture
of primitive man, showed little interest in watercraft and have left
us only the most meager descriptions. Even when the watercraft of the
primitive man had obviously played a large part in his culture, we
rarely find a record complete enough to allow the same accuracy of
reproduction that obtains, say, for his art, his dress, or his pottery.
Once lost, the information on primitive watercraft cannot, as a rule,
be recovered.
However, as far as the bark canoes of North America are concerned,
there was another factor. The student who became sufficiently
interested to begin research soon discovered that one man was devoting
his lifetime to the study of these craft; that, in a field with few
documentary records and fewer artifacts, he had had opportunities for
detailed examination not open to younger men; and that it was widely
expected that this man would eventually publish his findings. Hence
many, who might otherwise have carried on some research and writing,
turned to other subjects. Practically, then, the whole field had been
left to Edwin Tappan Adney.
Public-domain text, read in full here on John Shaqi.
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