The Baron's Sons: A Romance of the Hungarian Revolution of 1848Jókai, Mór
History
The Baron's Sons: A Romance of the Hungarian Revolution of 1848
Jókai, Mór
Hungary -- History -- Uprising of 1848-1849 -- Fiction
The old shopkeeper drew his guest with him into the adjoining room,
whose walls were covered with portraits of all sorts and sizes, in
oil, water-colours, and pastel, mostly representing young men and
women, while a pile of unframed pictures stood in one corner.
"How did you ever get hold of so many portraits?" asked the astonished
visitor.
"Oh, that is simple enough," replied the Jew; "you see, young people
have a way of falling in love and then falling out again. They hang a
portrait over their bed, and presently their taste changes and another
takes its place. Then when a young gentleman wishes to marry, he finds
it inadvisable, to keep a lot of strange portraits in his house."
"And so he sells them?" asked Richard.
Solomon made a significant gesture with his open hands. "Judge for
yourself," said he.
"Well," rejoined the other, "I am not much surprised at people's
selling some of these faces; but how in the world do you find
purchasers for them. Who would ever want one of this collection?"
Solomon smiled knowingly, and tilted forward and backward on his toes
and heels.
"I know the original of your picture," said he. "She visits me
occasionally. What if she should see her likeness among the others?
That kind of costume-portrait always fetches a magnificent price."
"Such an injury, however," declared the cavalry officer, "I will not
do her. Though we may not be on the best of terms, I will not give her
cause to despise me."
"A most praiseworthy determination!" exclaimed the dealer, warmly.
"But may I ask whether you are thinking of marrying, and so wish to
put another portrait in the old one's place? In that case, at what
price would you part with this Miss Danaë?"
Richard made an impatient movement. "I have already told you that I
will not sell the picture," said he. "I demand it back."
"Well, well, no offence," returned the other, soothingly. "I didn't
presume to offer you any ten or twenty florins for it; that would be
an insult to a Richard Baradlay. But, how about an exchange for some
other beautiful picture,--some mythological study? I have a large
collection to choose from."
Richard laughed in spite of himself. "No, friend Solomon," said he,
"we can't make a trade to-day. I will not give the Danaë in exchange
for any picture, however beautiful or mythological. I won't exchange
it for all the world."
"Well, well, why so positive? Supposing we should find something,
after all. Let's look around a bit; it won't cost us anything."
So saying, the old dealer drew his guest toward the pile of unframed
portraits leaning against the wall in a corner, and began to turn them
over, one by one. Suddenly the young man at his side uttered a
passionate interjection.
"Aha!" cried the Jew, in triumph; "have we found something at last
worth hunting for?" And he drew out the picture that had caused the
other's hasty exclamation, dusted it with his sleeve, and held it up
to the light, where Richard could see it.
Public-domain text, read in full here on John Shaqi.
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