The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2 — John Shaqi
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
The lordship descended from the Caverswells, who enjoyed it until the
nineteenth of Edward III., when by the heir-general it passed to the
Montgomerys, and subsequently to the Giffards, the Ports, the family of
Hastings, Earls of Huntingdon, who were owners of it in the seventeenth
century; and, by purchase, to Matthew Cradock, Esq., whose father, we
are told in a celebrated letter of Sir Simon Degge’s, was a wool-buyer
at Stafford. In the reign of James I., this latter proprietor, it is
said, employed the skill of the celebrated Inigo Jones to erect the
present castellated mansion. The site of this solemn fortress-like
structure, enriched by the dark-grey tints of age, is the rock which
gave foundation to Sir William de Caverswell’s Castle. The grit-stone of
which it is built has been excavated from the moat that surrounds the
whole; the same being the case no doubt with the materials of the
earlier building, for the circumstance, as we shall see, is alluded to
in the Latin lines on the founder’s tomb. The Castle is placed upon an
elevated quadrangular platform, which is defended by a curtain running
along each side, having a number of graduated buttresses rising from the
moat, and by an octagonal turret, with its base dipping in the fosse, at
each angle. The pointed arched gateway, approached by a stone bridge, is
flanked by an additional turret on each side, like the others,
balustraded at the top. This balustrade formerly was carried round the
top of the Castle also. Its removal in recent times has been injurious
to picturesque effect; hence the artist has retained this proper mark of
style in our lithotint. The quadrangle of the Castle is laid out in
gravelled walks, shaded by fine hedges of hornbeam, and a beautiful
flower-garden, exhibiting many of the gems of Flora’s chaplet, and some
remarkably fine specimens of Cotoneaster trained along the walls. The
building itself is chiefly interesting as presenting the ideal of the
great architect of the transition from the ancient castle to the
baronial mansion. The keep may be said to be still retained in the lofty
square tower, which overtops the building at its western end. Two great
bays ascend, one on each side, to the top of the building, which break
the plainness of the front, and afford additional light to the
apartments. The numerous windows are all large, divided by deep
mullions; and in a winter’s evening, when most of the rooms are
occupied, a distant spectator might conceive there was an illumination
in the Castle. The rooms are plain, and afford nothing worthy of
particular note. The square tower is chiefly occupied by staircases. The
turrets have been converted into apartments of residence. Whilst around
the whole, flow the dark yet clear waters of the moat, which expands on
the western side into a small lake. This moat is supplied by a number of
springs and a limpid rill that runs into it. Its outer margin receives
the shade of some fine limes.
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