The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
“The Gilt Room,” which forms the subject of the appended print, is
approached from the entrance-hall by a richly ornamented oak staircase.
From the style of the details it would appear that it was the work of
John Thorpe, and that the painted decorations were the produce of
Francis (or Francesco) Cleyn, a favourite artist of the time, who was
employed largely by the kings James I. and Charles I., from whom he
derived an annuity of 100_l._, settled on him during his natural life,
and which he enjoyed till the Civil War. The ceiling of the room was
originally painted by him in the same style as the other portions of the
apartment; being out of repair during the minority of his late lordship,
it was removed, and a plain one put up in its stead. In the view here
given, Mr. Richardson has supplied it from such fragments and sketches
as were obtainable several years ago.
[Illustration]
Notwithstanding the loss of its painted ceiling, the room
presents an appearance of elaborate magnificence, and of unique
singularity--carrying us back at once to that luxurious period, the
early part of the reign of Charles I. The paintings, the figures over
the fireplaces, deserve great praise, although we cannot entirely
coincide with Horace Walpole, who declares (in his life of Cleyn) that
they are not unworthy of Parmigiano. The paintings--such as remain over
the fireplaces and soffites of the arches--certainly are masterly,
though the architect might discover a little of the “contract style”
about them. Cleyn was employed by Charles I., whose good taste led him
to patronise only the most eminent men in art. The painter was
denominated “Il famosissimo pittore Francesco Cleyn, miracolo del
secolo, e molto stimato del Re Carlo della Gran Britania.”[6]
This cut represents some of Cleyn’s painting in the soffite of one of
the arches in the gilt-room; it is roughly painted--although in a free
and masterly style--in umber, on a white ground; the drapery, dress, and
hair of the figures, are gilt.
[Illustration:
From a drawing by C. F. Richardson, F.S.A. Day & Son, Lithʳˢ to The Queen.
THE GILT ROOM, HOLLAND HOUSE.]
Public-domain text, read in full here on John Shaqi.
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