A vaulted corridor extends from the transept nearly the whole length of the choir on its north side. This has been divided by a screen of blank panelling, and the eastern portion formed into a “Vestrie.” The remainder is used as a north entrance to the Church, having also an entrance into the Chapter House. This building is hexagonal on its exterior end, and is now appropriated as a mausoleum, to which those who love the muse will resort as to a place of pilgrimage, for here repose the earthly remains of that “servant to Queen Elizabeth, Chancellor to King James, and friend to Sir Philip Sidney,” whose name will be as imperishable as that of the dear brother of his heart, whose friendship was the climax of his fame, and the consummation of all his ambitious hopes. The monument to the memory of Fulke Grevill consists of a sarcophagus, placed beneath a heavy canopy, supported by Corinthian columns. It is a heavy and ungraceful erection--rendered picturesque, however, by the ancient helmets and glaives laid upon it, and the moth-eaten banners, and rusted armour, that hang above the tomb. The entrance to the Beauchamp Chapel is by a descent of several steps, from the south transept of the Church, beneath a doorway of finely-carved stone--the work of a [Illustration] native artist, “a mason of Warwick,” in 1704. Entered, the spectator beholds a sepulchral chapel, built in the “style of the later Gothic,” of limited extent--its size being 58 feet in length by 25 in breadth, and its height being 32 feet--but of surpassing beauty. The light is supplied by three large windows in the upper part of the side walls (north and south), on the west by a window which looks into St. Mary’s Church, and by a large window on the east. Formerly, they were all richly adorned with painted glass, of which some valuable relics yet remain. The east window is, however, even now, nearly perfect, and may be considered one of the finest examples of the art to be found in the kingdom. “Indeed,” (we quote from a writer in “The Antiquarian and Architectural Year Book,”) there are few windows of painted glass remaining in ecclesiastical or other buildings [Illustration]