exterior is now undergoing thorough repair under the superintendence of Mr. Edward Blore. Mr. Richardson has supplied us with the appended copy of the decoration, in carved stone, which surmounts the entrance, and also of one of the exterior ornaments, of which we have formed an initial letter. The interior of this fine old mansion is in the purest possible state; such alterations as time or circumstances may have rendered necessary have been effected with judgment, skill, and taste. “It presents an extraordinary variety of decorated ceilings, enriched plaster-work, and carved wainscot, the design and execution of which are masterly, fully equalling the choicest specimens of the French _renaissance_ of the reign of Francis I.” It contains some bas-reliefs of a very early age, and these, probably, were removed from the still older mansion of the Crewes. It must also have undergone some changes at so late a period as that of Charles II., and these, no doubt, were rendered necessary in consequence of two sieges to which it was subjected during the civil wars. In 1643 it was garrisoned by the Parliamentary troops, who were besieged there by the Royalists under Lord Byron, to whom they yielded in consequence of failure of food and ammunition: “becoming prisoners, stout and valiant soldiers, having quarter granted them.” During the subsequent year the mansion was taken by the troops of the Parliament, and, in like manner, the garrison was permitted to go out in honourable safety. The hall, which is somewhat low and narrow, is of carved oak; to the left is the dining-room, [Illustration] of which the accompanying print, in lithotint, affords a satisfactory idea. The screen of richly carved oak is as fresh and sharp as if it had been painted by the artist only yesterday. The fireplace of cut stone is inlaid with marbles of various colours and countries. Opposite the screen is a fine oriel window; and the ceiling is of exquisite design, and remarkably bold in character. A side entrance leads through “the carved parlour” to the upper rooms by a staircase of surpassing beauty, “made gay” by painted monsters of all kinds, bearing blank shields. The several apartments, drawing-rooms, and bedchambers, are furnished with great taste; the library is exceedingly fine and spacious: here, as in other parts of the house, we find treasures of ancient art, and, among them, very choice productions of the modern school of England. At the extremity of the hall is the chapel of the mansion, small in size but of exquisite workmanship, being formed entirely of carved oak, to which Time has given the sombre tint that ever harmonises well with the sacred character of the structure. The chapel contains a painted window by Willement, and two noble paintings by Giordano. The roof is of white and gold, with a single pendant; the gallery is for the servants, and there is a small place at the entrance for dependants.