The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
This Border Castle--the Caste of “Bauld Wyllie”--remains then, as we
have said, one of the least impaired and most interesting of the feudal
dwellings of Ancient England. It is nearly quadrangular in form; of
prodigious strength; and many indications of its early defences yet
remain. The only access to it is from the south, on which side it lies
low, and presents its principal front, “extending two hundred and eight
feet.” Formerly (according to a MS. dated 1675), “it was surrounded by
pleasant woods and gardens; ground full of fallow dear, feeding all
somer time,--brave venison pasties; with great store of reed dear on the
mountains, and white wild cattle, with black eares only, on the moores;
and black heath-cockes, and brown more-cockes, and their pootes.”
The interior is even more primitive in character than the exterior. “The
long Gallery” (which Mr. Cattermole has pictured), “extending one
hundred and sixteen feet in length, is filled with many curious and
interesting antiquities; among them are said to be the saddle, gloves,
and belt of “Belted Will Howard.” It contains also various portraits of
Members of the heroic race. The old windows are narrow and grated,
[Illustration]
and the doors almost wholly cased with iron, moving on ponderous hinges,
and with massive bolts, which ‘make a harsh and horrid clang that echoes
fearfully through the winding passages.’ ‘The Great Hall,’ measuring 70
feet by 24, is lighted by a range of windows, placed high up near the
ceiling, and a large oriel window at the southern end. The ceiling is
formed of wood panels in large squares, in number above one hundred, on
which are painted portraits of the Saxon Kings, and the Sovereigns of
[Illustration:
G. Cattermole, Del Stone by W. Walton M & N Hanhart, Lithogʳˢ
NAWORTH, CUMBERLAND.]
Public-domain text, read in full here on John Shaqi.
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