The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
The south front contains the principal entrance, and, from its symmetry
and ornate character, is, architecturally at least, the principal one.
The east front has, however, certain advantages, which go far towards
making it the most interesting, as it is certainly the most picturesque.
The view in that direction, whether _from_ the house or _of_ it, is by
far the most pleasing, as the founder well knew when he caused the
principal apartments to be placed on this side. The view from these
rooms is of remarkable interest and variety: first there is a noble
terrace-walk, with an enriched parapet, over which the eye wanders at
will among the clustering flowers of the Elizabethan garden, and from
them to the Maze; beyond which is the Park, with its fine sheet of
water, surrounded by noble old trees, their deep green reflexions broken
ever and anon by the splash of leaping fish, or the sedate movements of
the stately swans.
The interior well sustains the rich promise of the exterior. Convenience
of arrangement and sumptuousness of decoration are every where united.
Two grand staircases, one in the corner of each wing, lead to the
principal apartments. These staircases are of oak, richly carved. That
in the north-west angle was formerly called the Adam and Eve staircase:
much of it is of recent date, having been redecorated since the late
calamitous fire. The north-east staircase is all old, and exquisitely
carved. This staircase leads almost direct to King James’s Room, one of
the noblest apartments of the house, the extreme magnificence of which
no words can describe: in truth it is too rich, and the eye turns
involuntarily towards the grand oriel windows for relief. The ceiling is
of exquisite design, and was, till recently, plain white; now it is all
gold and colour. The chimneypiece is massive, of white marble; and a
central niche over the fire contains a life-size statue of James I. in
dark stone. The fire-dogs are of silver; the furniture and the six
chandeliers are gilt; the curtains are of white satin; the chair and
sofa coverings are crimson velvet; and the carpet, “patent Axminster,”
is of Elizabethan design, worked in brown, gold, scarlet, and blue. This
room contains some of the most important pictures. The Gallery extends
the whole length of the south front: it is about 160 feet long, and 20
feet wide. The ceiling is of remarkable beauty, one of the finest
examples of a period that was most prolific in such designs. The walls
are panelled with oak, and covered with a profusion of carving and other
embellishment. Our further remarks on the interior must be brief; many
interesting matters we must altogether omit. We hasten, therefore,
through the Winter Dining-Room, and pass into the Library, in which,
among other treasures, there are some rare old documents. From the
Library we may pass into the gallery of the Chapel, which contains a
curious old organ, a large window of richly painted glass, and some good
pictures.
Public-domain text, read in full here on John Shaqi.
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