Those acquainted with the luminous imagery, the subtle irony, the
brusque and penetrating vigour of the German, will doubtless admit that
it is no easy task to reduce Schopenhauer to adequate English prose;
and if this has been attempted by the present writer, no one can be
more conscious than he of the manifold shortcomings discoverable. But
such as it is, the work is heartily offered to all who still follow the
true student's rule, "Gladig wolde he lerne und gladig teche," with
the single hope that it may help, however slightly, to widen their
knowledge, and ripen their judgment.
My friend, R. E. Candy, Esq., I.C.S., has kindly given me information
concerning several Indian names.
ROME: _June_, 1902.
TRANSLATOR'S INTRODUCTION.
Ὃν δὲ θεοὶ τιμῶσιν, ὁ καὶ μωμεύμενος αἰνεῑ.
--Theognis: 169.
In 1837 the Danish Royal Society of Sciences propounded, as subject
for a prize competition, the question with which this treatise opens;
and Schopenhauer, who was glad to seize the opportunity of becoming
better known, prepared, and sent to Copenhagen, the earliest form of
"The Basis of Morality." In January, 1840, the work was pronounced
unsuccessful, though there was no other candidate. In September of the
same year it was published by the author, with only a few unimportant
additions, but preceded by a long introduction, which, cast in the form
of an exceedingly caustic philippic, is, in its way, a masterpiece. In
1860, (only a month before Schopenhauer's death,) the second edition
was printed with many enlargements and insertions, the short preface,
dated August being one of the last things he wrote.[1]
The reason why the prize was withheld is not far to seek, and need not
detain us. At that time the philosophical atmosphere was saturated with
Hegel, and, to a certain extent, with Fichte; hence it is easy to
imagine with what ruffled, not to say, scandalised feelings the Academy
must have risen from its perusal of the work. Moreover, putting Hegel
and Fichte out of the question, the position advanced was in 1840 so
new, indeed so paradoxical (as Schopenhauer himself admits); there is
at times such an aggressiveness in the style; the whole essay is so
much more calculated to startle than to conciliate; that we cannot feel
much surprise at the official decision.
In the Judgment published by the Society three reasons are given for
its unfavourable attitude. The second is declared to be not only
dissatisfaction with the mode of discussion (_ipsa disserendi forma_),
but also inability to see that Schopenhauer proves his case. As the
third is alleged the "unseemly" language employed in connection with
certain "_summi philosophi_" (Hegel and Fichte). These two objections
are of course in themselves perfectly legitimate, and how far the
Academy was right or wrong may be left for the reader to determine.
Public-domain text, read in full here on John Shaqi.
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