The Bath Keepers; Or, Paris in Those Days, v.1: (Novels of Paul de Kock Volume VII)Kock, Paul de
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The Bath Keepers; Or, Paris in Those Days, v.1: (Novels of Paul de Kock Volume VII)
Kock, Paul de
French fiction -- Translations into English
Does not the money that a man spends on his dress do him more honor than
that which he throws away at the wine shop?
But let us return to Rue Culture-Sainte-Catherine, and to the period
when the events that we are about to describe took place.
A young man came out of Rue des Francs-Bourgeois and passed the Hôtel de
Carnavalet, before which artists and admirers of sculpture always paused
to gaze at the waving lines of the great portal, and the masks and
bas-reliefs that adorned the arches of the windows--the work of the
immortal Jean Goujon.
Fortunate structure, which the genius of an artist was to make famous
forever, and to which, at a later time, a woman of intellect was to add
renewed lustre by making it her residence!
But at the period of which we write, Madame de Sévigné had not taken up
her abode at the Hôtel de Carnavalet.
The hour was not propitious for halting in front of the mansion, for it
was very near Rue des Francs-Bourgeois, which at that time extended to
Rue Culture-Sainte-Catherine; moreover, the person who came from the
first-named street did not seem to be in that frame of mind which fits
us to pass judgment on the objects of beauty we may meet on our road.
He was, as we have said, a young man. Twenty-five years was his age; he
was tall, slender, and well built; there was in his carriage and in
every movement the ease of bearing which denotes the man of the world,
and the manners which point to familiarity with cultivated society, and
which one does not lose, even in low company, when one has inherited
them from a long line of ancestors.
In addition to grace of form, this young man possessed a handsome face
and clean-cut features; his brow was lofty and proud; his black eyes
were large and bright, and surmounted by very dense eyebrows which
almost met, thus imparting at times a somewhat sombre expression to the
organs of vision below them, which flashed fire when animated by wrath,
but could, on occasion, assume an expression of gentleness and
tenderness which it was difficult to resist; a small mouth, well
supplied with teeth, and shaded by a small moustache; an oval chin
adorned by a _royale_; and a forest of black hair which fell in thick
curls over his neck and shoulders--such, physically, was Léodgard de
Marvejols.
As for his moral character, this story will instruct us sufficiently
therein.
Public-domain text, read in full here on John Shaqi.
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