The school has gone, too, where I learnt, and promptly forgot, Latin and Greek; and a row of shops, with big plate-glass windows and great gas lamps, have taken its place; and where we construed those dead (and deadly) languages, the linen-draper's assistant measures out muslins and calicoes. I have walked along these pavements during the last few days, and have noted more changes. There used to stand, beside the road, on the right hand as you go towards Gunnersbury, a little wayside "pub," with bow windows, and a bent and hunch-backed red-tiled roof. It was called the "Robin Hood," and an old-fashioned wooden post, supporting the swinging sign, stood on the kerb-stone, beside a horse-trough. I remember the sign well, for it had quite an elaborate picture painted upon it, representing Robin Hood and Little John. I can see quite clearly now that the artist of this affair obtained his ideas from the pictorial diplomas of the Ancient Order of Foresters; but, at the time, I thought it a very fine painting. The feathered hats impressed me very much indeed, although I always used to wonder why those two magnificent fellows hadn't pulled up their socks. It was some time before I discovered that they were not socks, but the big bucket boots of romance. They have pulled this old house down, and have built a glaring, flaring, gin-palace on the site of it, just as they did some five years ago to the old "Roebuck," not far off. The sign is gone, too, and wayfarers are no longer invited, if Robin Hood is not at home, to take a glass with Little John. What would happen, I often speculated, if both those heroes were away? Would, one take a glass, in that case, with Friar Tuck or Maid Marian? [Illustration: THE "OLD WINDMILL."] [Sidenote: _OLD SUBURBAN INNS_]