Historical fiction; Southern States -- History -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Through the warm spring weather she sat beside the long window that gave on
the street, or walked slowly up and down among the vegetable rows in the
garden. The growing of the crops became an unending interest to her and she
watched them, day by day, until she learned to know each separate plant and
to look for its unfolding. When the drought came she carried water from the
hydrant, and assisted by Mammy Riah sprinkled the young tomatoes until they
shot up like weeds. “It is so much better than war,” she would say to Jack
when he rode through the city. “Why will men kill one another when they
might make things live instead?”
Beside the piazza, there was a high magnolia tree, and under this she made
a little rustic bench and a bed of flowers. When the hollyhocks and the
sunflowers bloomed it would look like Uplands, she said, laughing.
Under the magnolia there was quiet, but from her front window, while she
sat at work, she could see the whole overcrowded city passing through sun
and shadow. Sometimes distinguished strangers would go by, men from the far
South in black broadcloth and slouch hats; then the President, slim and
erect and very grave, riding his favourite horse to one of the encampments
near the city; and then a noted beauty from another state, her chin lifted
above the ribbons of her bonnet, a smile tucked in the red corners of her
lips. Following there would surge by the same eager, staring throng--men
too old to fight who had lost their work; women whose husbands fought in
the trenches for the money that would hardly buy a sack of flour; soldiers
from one of the many camps; noisy little boys with tin whistles; silent
little girls waving Confederate flags. Back and forth they passed on the
bright May afternoons, filling the street with a ceaseless murmur and the
blur of many colours.
And again the crowd would part suddenly to make way for a battalion
marching to the front, or for a single soldier riding, with muffled drums,
to his grave in Hollywood. The quick step or the slow gait of the riderless
horse; the wild cheers or the silence on the pavement; the “Bonnie Blue
Flag” or the funeral dirge before the coffin; the eager faces of men
walking to where death was or the fallen ones of those who came back with
the dead; the bold flags taking the wind like sails or the banners furled
with crepe as they drooped forward--there was not a day when these things
did not go by near together. To Virginia, sitting at her window, it was as
if life and death walked on within each other's shadow.
Public-domain text, read in full here on John Shaqi.
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