Historical fiction; Southern States -- History -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
The red ran from Betty's curls into her face, but she smiled politely as
she followed Aunt Ailsey into the cabin and sat down in a split-bottomed
chair upon the hearth. The walls were formed of rough, unpolished logs, and
upon them, as against an unfinished background, the firelight threw reddish
shadows of the old woman and the child. Overhead, from the uncovered
rafters, hung several tattered sheepskins, and around the great fireplace
there was a fringe of dead snakes and lizards, long since as dry as dust.
Under the blazing logs, which filled the hut with an almost unbearable
heat, an ashcake was buried beneath a little gravelike mound of ashes.
Aunt Ailsey took up a corncob pipe from the stones and fell to smoking. She
sank at once into a senile reverie, muttering beneath her breath with
short, meaningless grunts. Warm as the summer evening was, she shivered
before the glowing logs.
For a time the child sat patiently watching the embers; then she leaned
forward and touched the old woman's knee. “Aunt Ailsey, O Aunt Ailsey!”
Aunt Ailsey stirred wearily and crossed her swollen feet upon the hearth.
“Dar ain' nuttin' but a hoot owl dat'll sass you ter yo' face,” she
muttered, and, as she drew her pipe from her mouth, the gray smoke circled
about her head.
The child edged nearer. “I want to speak to you, Aunt Ailsey,” she said.
She seized the withered hand and held it close in her own rosy ones. “I
want you--O Aunt Ailsey, listen! I want you to conjure my hair coal black.”
She finished with a gasp, and with parted lips sat waiting. “Coal black,
Aunt Ailsey!” she cried again.
A sudden excitement awoke in the old woman's face; her hands shook and she
leaned nearer. “Hi! who dat done tole you I could conjure, honey?” she
demanded.
“Oh, you can, I know you can. You conjured back Sukey's lover from Eliza
Lou, and you conjured all the pains out of Uncle Shadrach's leg.” She fell
on her knees and laid her head in the old woman's lap. “Conjure quick and I
won't holler,” she said.
“Gawd in heaven!” exclaimed Aunt Ailsey. Her dim old eyes brightened as she
gently stroked the child's brow with her palsied fingers. “Dis yer ain' no
way ter conjure, honey,” she whispered. “You des wait twel de full er de
moon, w'en de devil walks de big road.” She was wandering again after the
fancies of dotage, but Betty threw herself upon her. “Oh, change it! change
it!” cried the child. “Beg the devil to come and change it quick.”
Brought back to herself, Aunt Ailsey grunted and knocked the ashes from her
pipe. “I ain' gwine ter ax no favors er de devil,” she replied sternly.
“You des let de devil alont en he'll let you alont. I'se done been young,
en I'se now ole, en I ain' never seed de devil stick his mouf in anybody's
bizness 'fo' he's axed.”
She bent over and raked the ashes from her cake with a lightwood splinter.
“Dis yer's gwine tase moughty flat-footed,” she grumbled as she did so.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account