Historical fiction; Southern States -- History -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Glum! Why, the amiability in that horse's face is enough to draw tears.
Come up, Prince Rupert, your highness is to go ahead of me; it's to oblige
a lady, you know.”
Then, as Prince Rupert was led away, Dan looked at Betty.
“Shall it be the turnpike or the meadow path?” he inquired, with the gay
deference he used toward women, as if a word might turn it to a jest or a
look might make it earnest.
“The meadow, but not the path,” replied the girl; “the path is asleep under
the snow.” She cast a happy glance over the white landscape, down the long
turnpike, and across the broad meadow where a cedar tree waved like a snowy
plume. “Jake, we must climb the wall,” she added to the negro boy, “be
careful about the berries.”
Dan threw his holly into the meadow and lifted Betty upon the stone wall.
“Now wait a moment,” he cautioned, as he went over. “Don't move till I tell
you. I'm managing this job--there, now jump!”
He caught her hands and set her on her feet beside him. “Take your fence,
my beauties,” he called gayly to the dogs, as they came bounding across the
turnpike.
Betty straightened her cap and took up her berries.
“Your tender mercies are rather cruel,” she complained, as she did so.
“Even my hair is undone.”
“Oh, it's all the better,” returned Dan, without looking at her. “I don't
see why girls make themselves so smooth, anyway. That's what I like about
you, you know--you've always got a screw loose somewhere.”
“But I haven't,” cried Betty, stopping in the snow.
“What! if I find a curl where it oughtn't to be, may I have it?”
“Of course not,” she answered indignantly.
“Well, there's one hanging over your ear now. Shall I put it straight with
this piece of holly? My hands are full, but I think I might manage it.”
“Don't touch me with your holly!” exclaimed Betty, walking faster; then in
a moment she turned and stood calling to the dogs. “Have you noticed what
beauties Bill and Peyton have grown to be?” she questioned pleasantly.
“There weren't any boys to be named after papa and Uncle Bill, so I called
the dogs after them, you know. Papa says he would rather have had a son
named Peyton; but I tell him the son might have been wicked and brought his
hairs in sorrow to the grave.”
“Well, I dare say, you're right,” he stopped with a sweep of his hand, and
stood looking to where a flock of crows were flying over the dried spectres
of carrot flowers that stood up above the snow; “That's fine, now, isn't
it?” he asked seriously.
Betty followed his gesture, then she gave a little cry and threw her arms
round the dogs. “The poor crows are so hungry,” she said. “No, no, you
mustn't chase them, Bill and Peyton, it isn't right, you see. Here, Jake,
come and hold the dogs, while I feed the crows.” She drew a handful of corn
from the pocket of her cloak, and flung it out into the meadow.
Public-domain text, read in full here on John Shaqi.
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