Fantasy fiction; Imaginary wars and battles -- Fiction; War stories
At the date of the republication of this pamphlet we face a peril
immeasurably greater than that, if not equal to the Napoleonic terror
of 1803; and we face it, as concerns the mass of our population, with a
calmness which--to critical eyes and in view of the appeal made by the
Government to the country--is at least susceptible of an unsatisfactory
explanation.
If surprise, misunderstanding, may in a measure account for that, it
would be idle to pretend that the national mood and temper (and the
moods and tempers of nations will vary) were altogether--if they could
ever be--such as encouraged the most sanguine hopes of our success when
exposed to an ordeal of suddenness, extent, and severity unknown in the
world’s history.
In estimating the risks of our situation, thoughtful criticism may be
said to run naturally into two channels.
Firstly, in the political world--for reasons which cannot here be
considered--the past decade has seen a predominance of idealist
activity and ratiocination scarcely known before.
Hence the State has exhibited, to some extent, a _Utopiste_ attitude
likely to mislead foreign nations--it may be said with mild
brevity--alike as to our real views of their conduct, and as to our
national belief in the right or duty of self-assertion.
If, in 1871, we were represented as the helpless dupes of foreign
diplomacy, in 1914 we rather appear to have deceived the enemy to our
own hurt. A humane aversion to War--though, for that matter, it is only
by a philanthropic “illusion” that the extreme stage of self-assertion
can be morally differentiated from those that precede it, may tempt
politicians by a too sedulous avoidance of the unpleasing phrase to
invite the dreadful reality. But, again, in the private life of the
nation, other traits (some noted in the pamphlet of ’71) have given
cause for critical reflection. Besides Luxury--remarkable enough in
its novel and fantastic forms, though a commonplace complaint of
tractarians in all ages--a generally increased relaxation of all
old-established ties of religion, convention or tradition, a tendency
noticeable in general conduct, art and letters alike, a sort of
orgy of intellectual and literary Erastianism, a _blasé_ craving
for sensational novelty (encouraged perhaps if not sated by the
startling novelties of the age) have given scope for anxiety as to
the conservation in the English nature of that solid _morale_, that
“gesundes und sicheres Gefühl” defined by an eminent thinker as the
source of all worthy activity.
These words can but very crudely sketch a complex sense of uneasiness
and dissatisfaction familiar to most of us.
Public-domain text, read in full here on John Shaqi.
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