If you had approached Plemont from Vinchelez-le-Haut, making for the sea, you would have said that it also had no habitation. But when at last you came to a hillock near Plemont point, looking to find nothing but sky and sea and distant islands, suddenly at your very feet you saw a small stone dwelling. Its door faced the west, looking towards the Isles of Guernsey and Sark. Fronting the north was a window like an eye, ever watching the tireless Paternosters. To the east was another tiny window like a deep loop-hole or embrasure set towards the Dirouilles and the Ecrehos. The hut had but one room, of moderate size, with a vast chimney. Between the chimney and the western wall was a veille, which was both lounge and bed. The eastern side was given over to a few well-polished kitchen utensils, a churn, and a bread-trough. The floor was of mother earth alone, but a strip of handmade carpet was laid down before the fireplace, and there was another at the opposite end. There were also a table, a spinning-wheel, and a shelf of books. It was not the hut of a fisherman, though upon the wall opposite the books there hung fishing-tackle, nets, and cords, while outside, on staples driven in the jutting chimney, were some lobster-pots. Upon two shelves were arranged a carpenter's and a cooper's tools, polished and in good order. And yet you would have said that neither a cooper nor a carpenter kept them in use. Everywhere there were signs of man's handicraft as well as of woman's work, but upon all was the touch of a woman. Moreover, apart from the tools there was no sign of a man's presence in the hut. There was no coat hanging behind the door, no sabots for the fields or oilskins for the sands, no pipe laid upon a ledge, no fisherman's needle holding a calendar to the wall. Whatever was the trade of the occupant, the tastes were above those of the ordinary dweller in the land. That was to be seen in a print of Raphael's "Madonna and Child" taking the place of the usual sampler upon the walls of Jersey homes; in the old clock nicely bestowed between a narrow cupboard and the tool shelves; in a few pieces of rare old china and a gold-handled sword hanging above a huge, well-carved oak chair. The chair relieved the room of anything like commonness, and somehow was in sympathy with the simple surroundings, making for dignity and sweet quiet. It was clear that only a woman could have arranged so perfectly this room and all therein. It was also clear that no man lived here.