In the solitude of his prison Harold must have reflected bitterly upon his rashness in committing himself to the hands of Guy without having accurately ascertained his feelings towards him. Instead of a friend he found in him a foe. Instead of furthering his views he involved him in almost inextricable difficulties. The Count, probably, had too keen a sense of William’s power again to run the risk of incurring his wrath; he therefore resolved, to avoid all appearance of ambiguity, to detain Harold as a prisoner, and to extract from his friends as large a sum as possible in the shape of ransom. It gives us a curious insight into the state of society in those days, to observe that no one disputed the right of Guy to seize the person and property of a stranger, who, without hostile intent, had ventured upon his shores, or, as some believe, had been driven there by mischance. Harold had no friend at hand to release him from his unpleasant position. His active and clever rival, William of Normandy, hearing of his circumstances, immediately put forth the most strenuous and apparently generous efforts to effect his enlargement, thereby laying him under very serious obligations. It is the object of the succeeding portions of the Tapestry to place these efforts in a strong light, and by implication to show the ingratitude of Harold in opposing William’s claims to the English throne. The first scene represents Harold proceeding to the residence of his captor. The expression given to the unlucky Earl is one of deep dejection. He is stripped of the cloak which marked his nobility; and though he carries his hawk upon his fist, its usual posture is reversed, an intimation that his hawking days are over. Harold is well guarded by a party of armed horsemen. Guy rides before, clad in the decorative mantle of his rank, and having the falcon upon his fist, with its head advanced as if ready to take wing. The artist has very successfully portrayed in the countenance of Guy the chuckling conceit of this heartless chieftain in the possession of so rich a prize as Harold. The next group of standing figures is supposed to represent some of Harold’s party, distinguished by the mustache, in custody of Guy’s soldiers. Harold, indignant at the unjust treatment which he had received, [Illustration: PLATE III.]