The Bayeux Tapestry ElucidatedBruce, J. Collingwood (John Collingwood)
History
The Bayeux Tapestry Elucidated
Bruce, J. Collingwood (John Collingwood)
Bayeux tapestry
The Tapestry exhibits to us the church of St. Peter at Westminster, and
the funeral procession of the recently departed monarch. The church is a
building of the Norman style in its greatest simplicity. As is usual in
cathedrals and conventual churches of the first class, it has its tower
in the centre, and is provided with transepts. The weathercock may
perhaps excite attention, as proving that this appendage of our churches
is no novelty. It appears in the Saxon illustrations of Cædmon. But what
is particularly worthy of our notice is, that a workman appears to be in
the act of affixing it. By this, the designer of the Tapestry means to
show that the church was but just completed when the interment of the
Confessor took place. A hand appears over the western end of the church
to denote the finger of Providence, and to indicate that it was the will
of God that the remains of the departed King should be deposited in that
building. A similar hand appears on the coins of some of the Roman
emperors, and in several of the sculptures of the catacombs at Rome.
This is another indication that the artist was acquainted with the Roman
method of treating such subjects.
We next meet with the funeral of the King. The circumstance which
chiefly strikes us in it is its simplicity. No gilded cross is borne
before the body. No candles, lighted or unlighted, are carried in
procession. The attendants, clerical and lay, wear their ordinary
dresses. Two youths go by the side of the bier, ringing bells. That the
persons who follow the bearers are ecclesiastics is evident from their
shaven crowns. Two of them have books, from
[Illustration: PLATE VII.]
which they chant some requiem. Only one of them has a mantle, betokening
him to be a person of importance. The body, agreeably to the Saxon
custom, has been wound up in a cloth, fastened with transverse
bandages.[62] It is carried head-foremost. At a date not long subsequent
to the Conquest it was usual to carry the bodies of princes to the grave
fully exposed to view, dressed in all the habiliments of state. The
body, on arriving at the place of sepulture, would be deposited in the
stone coffin that was prepared to receive it.[63] The legend here is,
HIC PORTATUR CORPUS EADWARDI REGIS AD ECCLESIAM SANCTI PETRI
APOSTOLI--Here the body of King Edward is carried to the church of St.
Peter the Apostle.
Public-domain text, read in full here on John Shaqi.
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