Not, however, to settle the question by authorities, it may be observed:--1st. That the fulness and correctness of its historical details prove that it is a contemporaneous chronicle. Wace, as has already been observed, treats more largely of the Norman invasion than any of the writers of the Norman period; and, such is the general agreement between the verses of the one and the delineations of the other, that the Tapestry may be pronounced to be what in these latter days would be called the “illustrations,” and the narrative of the chronicler the “letter-press,” of an elaborate history of the Norman Conquest.[7] And yet the one does not follow the other slavishly. Whilst they agree in all the general facts, they differ in many minute details, as all independent narratives will. 2. Again, the architecture, the dresses, the armour, the furniture, of the Tapestry are those which prevailed at the period of the Conquest, and at no other. It is at all times exceedingly difficult, whether by writing or painting, to portray accurately the manners, language, and modes of thought, of an anterior period. In mediæval times, however, the attempt was seldom made. The draftsmen represented the manners “living as they rose.” “It was the invariable practice with artists in every country,” says Mr. Charles Stothard,[8] “excepting Italy, during the middle ages, whatever subject they took in hand, to represent it according to the manners and customs of their own time. Thus we may see Alexander the Great, like a good Catholic, interred with all the rites and ceremonies of the Romish church. All the illuminated transcripts of Froissart, although executed not more than fifty years after the original work was finished, are less valuable on account of the illuminations they contain not being accordant with the text, but representing the customs of the fifteenth century instead of the fourteenth. It is not likely that in an age far less refined this practice should be departed from. The Tapestry, therefore, must be regarded as a true picture of the time when it was executed.” The testimony of an earlier authority, Strutt, is to the same effect:--“To a total want of proper taste in collecting of antiquities, and application to the study of them, are owing the ignorant errors committed by the unlearned illuminators of old MSS.; and so far were they from having the least idea of any thing more ancient than the manners and customs of their own particular times, that not only things of a century earlier than their own era, are confounded together, but even representations of the remotest periods in history. The Saxons put Noah, Abraham, Christ, and King Edgar, all in the same habit, that is, the habit worn by themselves at that time; and in some MSS., illuminated in the reign of Henry the Sixth, are exhibited the figures of Meleager, Hercules, Jason, &c., in the full dress of the great lords of that prince’s court. At the