The Beautiful: An Introduction to Psychological AestheticsLee, Vernon
Philosophy
The Beautiful: An Introduction to Psychological Aesthetics
Lee, Vernon
Aesthetics; Form (Aesthetics); Psychology, Applied
I am sorry that the matter is by no means so simple! If what we
attributed to each single shape was only the precise action which we
happen to be accomplishing in the process of looking at it, Empathy
would indeed be a simple business, but it would also be a
comparatively poor one. No. The _rising_ of the mountain is an idea
started by the awareness of our own lifting or raising of our eyes,
head or neck, and it is an idea containing the awareness of that
lifting or raising. But it is far more than the idea merely of that
lifting or raising which we are doing at this particular present
moment and in connexion with this particular mountain. That
present and particular raising and lifting is merely the nucleus to
which gravitates our remembrance of all similar acts of raising, or
_rising._ which we have ever accomplished or seen accomplished,
_raising_ or _rising_ not only of our eyes and head, but of every
other part of our body, and of every part of every other body which
we ever perceived to be rising. And not merely the thought of past
_rising_ but the thought also of future rising. All these risings, done
by ourselves or watched in others, actually experienced or merely
imagined, have long since united together in our mind, constituting a
sort of composite photograph whence all differences are eliminated
and wherein all similarities are fused and intensified: the general
idea of _rising,_ not "I rise, rose, will rise, it rises, has risen or will
rise" but merely _rising as_ such, _rising_ as it is expressed not in
any particular tense or person of the verb _to rise,_ but in that verb's
infinitive. It is this universally applicable notion of rising, which is
started in our mind by the awareness of the particular present acts of
raising or rising involved in our looking at that mountain, and it is
this general idea of rising, _i.e._ of _upward movement,_ which gets
transferred to the mountain along with our own particular present
activity of raising some part of us, and which thickens and enriches
and marks that poor little thought of a definite raising with the
interest, the emotional fullness gathered and stored up in its long
manifold existence. In other words: what we are transferring (owing
to that tendency to merge the activities of the perceiving subject
with the qualities of the perceived object) from ourselves to the
looked at shape of the mountain, is not merely the thought of the
rising which is really being done by us at that moment, but the
thought and emotion, the _idea of rising as such_ which had been
accumulating in our mind long before we ever came into the
presence of that particular mountain. And it is this complex mental
process, by which we (all unsuspectingly) invest that inert mountain,
that bodiless shape, with the stored up and averaged and essential
modes of our activity--it is this process whereby we make the
mountain _raise itself,_ which constitutes what, accepting Prof.
Public-domain text, read in full here on John Shaqi.
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