English fiction; Man-woman relationships -- Fiction; Young women -- Fiction
Meanwhile the conversation went on, pleasant and banal. Mrs. Potter
deluged Paul with questions about the London season and English painters
and the Academy. She narrated the comicalities of her shopping
expeditions, various little misadventures that had arisen from the
different usage of everyday words by the two nations. By imperceptible
stages along a tortuous and varied route they drifted on to the subject
of love, and Mrs. Potter, still keeping the talk almost all to herself,
related several touching romances of her friends' lives. Once or twice
Paul's gloom was lightened by the smile of Miss Brooke that met his look
each time he turned his face towards her. A lien, invisible to the
others, seemed to be established between them.
At length Mrs. Potter, drawing Mr. Pemberton's attention to the hour,
rose to go, and the two left together. Despite some mad idea of
declaring himself to Miss Brooke there and then, which had occurred to
him, Paul had also risen, but to his astonishment Miss Brooke drew her
chair closer to the fire, and motioned him to take a seat in the
opposite chimney corner. He obeyed as if hypnotised. "What would my
mother think of this?" he asked himself, and awaited developments. As
for Miss Brooke, at no moment did she seem aware of the slightest
unconventionality in the situation.
"Katharine is so sweet," she began thoughtfully. "You can't imagine how
pleased I was when she wrote she was coming. Charlie is piloting her
about a little. He is so good-natured."
"Charlie is, I presume, Mr. Pemberton."
"Why, of course. And he'll be of so much use to her in Paris. He has a
studio there. But I hope she won't fall in love with him," she added
laughingly. "Katharine is so romantic; she is always in love with some
man or other."
Though he knew as a general biological fact that women fall in love with
men, Paul, despite all the love-stories he had read, had never yet been
able to grasp it and admit it to himself as a fact of actual life.
Somehow, he had always felt that the onus of falling in love and of
courtship rested on men, and that it was very good and condescending of
women to allow themselves to be loved at all. But Miss Brooke's way of
talking seemed to take it for granted that it was a perfectly natural
and proper thing for a woman to be in love, that romance was a thing a
woman might own to without any shame; making him realise more distinctly
than ever before that women were not so entirely passive and
passionless. But all this he rather felt than thought, and it did not
interfere with the sentence that was on the tip of his tongue; the
outcome of his sense of disappointment and desolation at her threatened
departure out of his life, which was only mitigated by the reflection
that Pemberton was being left behind.
"And now you are going home!"
The words were obviously equivalent to a sigh of regret.
Public-domain text, read in full here on John Shaqi.
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