English fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"Everything turned out just as I had calculated," she continued, after
taking a sip at her own. "You had carried me in your mind the whole
time, and you had been waiting for me and counting on my coming. So far
I was delighted. For a time all went smoothly. You were mine
completely. But then an unforeseen force began suddenly to act on the
position. My old enthusiasm for my work came back, and with it my old
mad ambitions. Do you know what first gave me those mad ambitions? You
shall hear in a moment. Anyway, my old intolerance against anything like
dependence rose up in me. I wanted to make a great name and a great deal
of money, all by myself. A picture by a great master--we admired it
together at the salon--had just sold for thirty thousand dollars, and
that inflamed me. No woman painter has yet existed of absolutely the
first rank; one and all have been influenced, more or less, by a man. I
wanted to be the first woman whose work should be absolutely great,
absolutely original. I wanted the honour for America, for I am proud of
being an American woman. But you were on the spot, and I had only to
move my little finger to get you. You were an eternal temptation. Don't
you think I knew you were jealous of Charlie? He has been in love with
me ever since I first came here; but, poor devil, he only just manages
to get along, and is only too glad if he's not behindhand with his
studio rent. The reason I allowed him to hang round so much was partly
because he had become a habit of mine, and partly to help me not to be
tempted to give you too much of my company.
"I really wanted to fight against the temptation of your money, but more
for my own sake than yours. In the first place I did not love you. And
in the second, I could read your nature like a book. Your ideas and mine
would never go together. I wanted a husband who would be content with
such moments of love as I could spare him out of my career; to whom I
could go for love when I wanted love; who would be content to live out
his own life and leave me to work out mine. I do not want to be kept by
my husband--rather than that I should prefer to keep him. All my rooted
independence had sprung up as by magic the moment I took up my brush and
palette again and looked at the model. Your notions were far too
primitive for me. You would have allowed me to go on with my art as a
concession--to do credit to your name, perhaps. You would have looked
upon my pictures as sacred, to be hung in your house and worshipped by
you before your guests; I should have wanted to sell them, to convert
them into dollars.
Public-domain text, read in full here on John Shaqi.
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