The Beautiful Wretch; The Pupil of Aurelius; and The Four MacnicolsBlack, William
General
The Beautiful Wretch; The Pupil of Aurelius; and The Four Macnicols
Black, William
Great Britain -- Fiction
'Oh, indeed,' said Nan. 'I wish I had been in; I should like to have
seen him in uniform.'
That was all she said, and all she thought; for now there were far more
serious things than ballrooms and young lieutenants occupying Nan's
attention. She and her sisters were going abroad--she for the first
time; and she was busy with foreign languages, and lives of the great
painters, and catalogues, and guide-books, and dressing-cases. The world
she hoped to plunge into on the following week was, in her imagination,
composed of nothing but cathedrals and picture-galleries; and she could
have wished that the picture-galleries might contain nothing but the
labours of Botticelli and Andrea del Sarto. The clear ethereal beauty
and tenderness of the one, the solemn thoughtfulness of the other: these
were things that filled her mind with a mysterious gladness, as if
something had been added to her own life. Rubens she cordially hated.
Of Titian she had as yet seen hardly anything.
At last the wonderful day of setting out arrived, and Mr. Tom graciously
consented to accompany his sisters as far as Newhaven. It was towards
the afternoon that they started, in an open carriage, the maid on the box
beside the coachman. Tom was making facetious remarks about south-west
gales, and his two elder sisters were angrily remonstrating with him.
Nan was silent. She had not a thought for the ships and sailors out
there, or for any pensive young officer bitterly saying to himself that
out of sight was out of mind; and she had forgotten for a moment all
about Singing Sal and her free-and-easy ways. Nan's mind was at this
time filled with Dante, and Florence, and the young Raphael, and the Doge
wedding the Adriatic, and Pompeii, and Savonarola, and goodness knows
what else. When they reached Newhaven--when they forced her to descend
from the carriage--her eyes had a bewildered look. She had not seen
Newhaven at all. She had been watching the execution of Savonarola--she
standing in the middle of the great crowd in a square in Florence.
They stayed the night at the hotel at Newhaven. Next morning falsified
all Mr. Tom's malicious forecasts; the weather was fine, and they had a
smooth passage across. In due time they reached Paris.
To Nan, Paris meant picture-galleries. The streets were new-looking,
non-historical, filled with commonplace people; but in the
picture-galleries she was with great names, in great times.
'Nan,' her sisters remonstrated, 'what is the use of dawdling over
pictures like this? The Old Masters are all alike. There are plenty of
Holy Families and broken-necked angels in England. Why don't you put off
all this till you get back to the National Gallery?'
Fortunately, Nan was the most biddable of companions. She seemed to be
in dreamland. You could do what you liked with her if only you allowed
her to gaze with her great eyes, and think, and be silent.
Public-domain text, read in full here on John Shaqi.
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