Man-woman relationships -- Fiction; Married women -- Fiction; Rich people -- Fiction
"My stars, Dita!" he cried with the truest conviction, "you are a
beauty! The moment I return, I mean to paint you again. And this time
I'll set the world afire. Do you remember how many portraits I have made
of you? Why, just to see you brings back my boyhood,--the hopes, the
struggles, the effort, the haunted days, the feverish nights. I used to
think, 'If I can just learn how to get this effect, I'll know the whole
secret.' I've got past that now. There's always a new and more
difficult riddle every day. But Dita, Dita, the dreams of my youth you
recall!"
The smile died from her face. Her eyes grew wistful. "The dreams of our
youth," she repeated. "I'm young yet; but they haunt me. They were
beautiful dreams down there on that gray, old river. Can't you shut your
eyes, Eugene, and see the terraces sloping down to the water, the
lovely, neglected garden with its tangle of roses and jasmine?"
"Do I remember?" His eyes looked deep into hers. "I swear I never smell
jasmine without thinking of the old place and you. Perdita, do you ever
think what life might have been for us if it hadn't been for our
accursed poverty? If we'd only had just a little between us. It's a
question of courage. If we'd only had the courage to face things hand in
hand we'd have got along somehow, I dare say. But we didn't have that
quality, did we? We didn't believe enough in our dreams. That's the
worst of life. She won't let you."
"Oh, the dreams!" she scoffed. Her color remained high, her eyes
glittered, but with irritation, not tears. She suffered from an old
laceration of the heart, the more wounding in that, for pride's sake,
she must ever deny it expression. Eugene always took the attitude as if
they together had renounced a mutual love, and often implied, without
rancor, but with a forgiving, almost understanding tenderness, that the
responsibility of their marred lives lay on her shoulders.
Perdita was of the twentieth century, but she was also a southern woman
of many traditions, and she could not say the words which rose to her
defensive lips: "Eugene, you have never asked me to face life hand in
hand with you." He would with a glance, she could see it, feel it,
convict her of blunted intuitions, of an inability to discern exquisite
shades of emotion; and then he would express his love for her in
glowing, passionate phrases, confusingly evasive, elusive beyond
definition, committing himself to nothing.
And if this shifting of responsibility on her, this ardent skirting of a
definite issue were premeditated or his unavoidable, temperamental way
of viewing the matter, she could not tell. Conjecture was idle. Her
knowledge of his character, her ready mental accusations and equally
ready excuses, these comprising the sole weight of evidence, merely held
the scales steady.
Eugene began to pick up, first one, then another, of the favors on the
table, a smile, tender yet humorous, about his lips.
Public-domain text, read in full here on John Shaqi.
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