"Now merely as a sporting chance, which would you bet on," said Martin, drawing his chair a bit nearer, "the rich, middle-aged husband, or the fascinating artist, the painter of beautiful women, in the zenith of his fame? It is the same old plot you know, and the oft-told tale may have just two endings. First, she goes off with the artist, lives a squalid and miserable life abroad, falls ill, and dies, holding the hand and imploring the forgiveness of her husband, who conveniently and miraculously appears. In the second ending, she makes all preparations to flee and then something occurs which causes her to see the sculpturesque nobility of her husband's character and the curtain descends to slow sweet music while they stand heart to heart in the calcium light of a grand reconciliation scene." "Oh, Wallace, do forget for once that you are trying to be a playwright. Forget the shop." Mrs. Wilstead was irritable. "I do wish she would join us," looking about her nervously, "I want to go home. Is she utterly careless?" "Only absorbed," returned Martin calmly. "Didn't you hear her ask him before they left the room, to come and look at the picture gallery where he is to paint her portrait? She wanted him to judge of the lighting--a night like this. I thought I saw the flutter of her white gown in the garden yonder a bit ago." "Oh do, for goodness sake, change the subject," said Alice Wilstead hurriedly. "I am sure Cresswell must think it queer the way we are all sitting out here with our heads together, in the teeth of that approaching storm." "Not at all," Martin reassured her. "Don't you see that Maud is doing her duty heroically? Maud isn't the wife's confidante and dearest friend for nothing." "Isn't it perfectly wonderful about Maud?" commented Mrs. Hewston. "You all know what a plain, angular creature she was, nothing really to recommend her but her music and she always spoiled that by playing with her shoulder blades." "She's an extremely stunning woman," said Wallace Martin shortly. "And all due to Dita Hepworth," announced Mrs. Wilstead. "Wonderful! I never saw a woman with such a genius for dress and decoration. If her beauty wasn't such an obvious quality, I should think it was due to her almost uncanny knowledge of what is becoming and--Ah, thank Heaven, here she is!" CHAPTER V PERDITA'S TALISMAN Perdita Hepworth had entered the room, with Eugene Gresham just a step or two behind her, and, after a glance in the direction of Maud Carmine and her husband, had moved toward the little group on the balcony. Gresham was used to any amount of attention and admiration, but the adulatory interest which he may have merited and had, in fact, grown to regard as his due, was always conspicuously lacking when he appeared with Perdita.