Man-woman relationships -- Fiction; Married women -- Fiction; Rich people -- Fiction
"Ah, Dita," his voice fell to a charming note of tenderness, a note to
stir any woman's heart, with the purple and white of the wistaria
clusters swaying above their heads and the mellow light reflected in his
eyes, his eager eyes which pierced life's stained and sordid curtain and
saw the wonder and miracle of beauty; and it was this power to discern
the eternal vision which illuminated his ugly, irregular, fascinating
face upon which work and dreams and experience had stamped their
impress. "You can not fancy what it means to me to paint your portrait
now. I've painted it before, crudely, in boyhood, and experienced then a
casual delight in the effort to portray a beautiful thing, and wrest a
few new secrets of art from the portrayal. That was all. But now," his
voice without being raised, yet lifted exultantly, "but now--my heart is
swept with insurgent seas at the thought of what it means. I am lover
and artist, fused in a fire of white enthusiasm. The lover sees, divines
what the artist can only guess at, and the artist offers to the lover a
perfected technique. I feel the stirring of this power to catch your
loveliness, Dita, and fix it on canvas imperishably. It would be the
great achievement. That is in the background of every artist's thoughts.
It is his pillar of cloud by day and his pillar of fire by night. The
great achievement!" He dreamed over it a moment. "I would paint the
South in you, Dita, 'warm and sweet and fickle is the South.' Ah! I
thought I loved you then. I thought I loved you the evening we parted,
but I know now that I have never really loved you before or I could not
have given you up."
They were almost alone, nearly every one had left the room. A long trail
of wistaria blew before her eyes. The light glowed through the silken,
yellow shades. The South! She smelled roses and jasmine. It seemed to
her for one bewildering moment as if her heart had indeed blossomed in
purple and red. She smiled lingeringly, sweetly into his eyes.
"The portrait's only postponed, Eugene, look at it in that way." The
words recalled her to herself with a start. This was paper wistaria and
electric light. She was no longer a girl in a flower-scented, green old
garden about to pose for a boyish and impatient artist. Here she was, in
spite of all her vows to the contrary, yielding to Eugene's spell
without a struggle. She was quite sure of his charm and magnetism, but
what she doubted now was her own heart.
"'Ah, the little more and how much it is. And the little less, and what
worlds away,'" she murmured beneath her breath, wondering unhappily if
she were born to doubt everything.
"But I can't and I won't submit to a postponement." He was now both
impatient and impassioned.
Public-domain text, read in full here on John Shaqi.
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