_Scrub_. A guinea for her! faggot and fire for the witch!
Sir, give me that guinea, and I 'll discover a plot.
_Arch_. A plot!
_Scrub_. Ay, sir, a plot, and a horrid plot! First, it must
be a plot, because there's a woman in't: secondly,
it must be a plot, because there's a priest in't:
thirdly, it must be a plot, because there 's French
gold in't: and fourthly, it must be a plot, because
I don't know what to make on't. {393}
_Arch_. Nor anybody else, I 'm afraid, brother Scrub.
_Scrub_. Truly, I 'm afraid so too; for where there's a
priest and a woman, there's always a mystery and
a riddle. This I know, that here has been the
doctor with a temptation in one hand and an
absolution in the other, and Gipsy has sold herself
to the devil; I saw the price paid down, my eyes
shall take their oath on't. {401}
_Arch_. And is all this bustle about Gipsy?
_Scrub_. That's not all; I could hear but a word here and
there; but I remember they mentioned a Count, a
closet, a back-door, and a key.
_Arch_. The Count!--Did you hear nothing of Mrs. Sullen?
_Scrub_. I did hear some word that sounded that way;
but whether it was Sullen or Dorinda, I could not
distinguish. {409}
_Arch_. You have told this matter to nobody, brother?
_Scrub_. Told! no, sir, I thank you for that; I 'm resolved
never to speak one word _pro_ nor _con_, till we have a
peace.
_Arch_. You're i' the right, brother Scrub. Here's a
treaty afoot between the Count and the lady: the
priest and the chambermaid are the plenipotentiaries.
It shall go hard but I find a way to be included in
the treaty.--Where 's the doctor now?
_Scrub_. He and Gipsy are this moment devouring my
lady's marmalade in the closet. {420}
_Aim_. [_From without_.] Martin! Martin!
_Arch_. I come, sir, I come.
_Scrub_. But you forget the other guinea, brother Martin.
_Arch_. Here, I give it with all my heart.
_Scrub_. And I take it with all my soul.--[_Exit Archer_.]
Ecod, I 'll spoil your plotting, Mrs. Gipsy! and if
you should set the captain upon me, these two
guineas will buy me off. [_Exit_.
_Re-enter Mrs. Sullen and Dorinda, meeting_.
_Mrs. Sul_. Well, sister!
_Dor_. And well, sister! {430}
_Mrs. Sul_. What's become of my lord?
_Dor_. What's become of his servant?
_Mrs. Sul_. Servant! he's a prettier fellow, and a finer
gentleman by fifty degrees, than his master.
_Dor_. O' my conscience, I fancy you could beg that
fellow at the gallows-foot!
_Mrs. Sul_. O' my conscience I could, provided I could
put a friend of yours in his room.
_Dor_. You desired me, sister, to leave you, when you
transgressed the bounds of honour. {440}
_Mrs. Sul_. Thou dear censorious country girl! what
dost mean? You can't think of the man without
the bedfellow, I find.
Public-domain text, read in full here on John Shaqi.
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