struck by her musical delivery and expression, pressed her to
resume her reading, the tall and graceful girl consented with
hesitation and bashfulness; although she afterwards confessed,
'I longed to be at it, and only needed a decent entreaty.' The
dramatist quickly acquainted Sir John Vanbrugh with the
jewel he had thus accidentally found, and she obtained through
him an engagement at the Theatre Royal as 'Candiope' in
Dryden's _Secret Love_. She soon became the fine lady of the
stage, and was the original representative of no less than
sixty-five characters. Pope disliked and satirised her severely;
on the other hand, Cibber worshipped her. According to some,
Farquhar fell violently in love with her, and she is the 'Penelope'
of his letters; but although she often spoke of the happy
hours she spent in his company, there appears to be no foundation
for this surmise. Bowen, a low comedian of considerable talent,
afterwards accidentally killed by Quin the
actor, was Foigard; and Scrub--originally written for Colley
Cibber, who, however, preferred Gibbet--was represented by
Norris, a capital comic actor, universally known as 'Jubilee
Dicky' on account of his representation of 'Dicky' in _The
Constant Couple_. He had an odd, formal little figure, and a high
squeaking voice; if he came into a coffee-house and merely
called 'Waiter!' everybody present felt inclined to laugh. He
had previously appeared in Farquhar's four principal plays, as
also had Mills, who did Aimwell. Cibber tells us that the
play was better received at Drury Lane than at the Haymarket,
as, owing to the larger size of the latter house, it was difficult
to hear.
Public-domain text, read in full here on John Shaqi.
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