The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tiredBegbie, Harold
General
The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tired
Begbie, Harold
Literature -- Collections
Her lined and wrinkled face, when she turns it to us, is not without the
vestiges of attraction. The head, with its grey hair parted down the
centre, is well-shaped; the forlorn-looking eyes are a pale-blue, like
faded forget-me-nots; the thin, flexible nose, which is always moist,
and the long, firm chin incline towards the formation known as the
nut-cracker. But for her abbreviated trunk, and those few pathetic
inches of twisted leg--chiefly feet--she might have passed for a
matronly-looking and rather handsome old harridan, half Scotch and half
Irish.
"What with the cat," she says, and then, letting her voice run up to a
screech, she proceeds furiously, "and that devil of a woman downstairs!
Oh! she's a wicked woman, she is, a _wicked_ woman, a _very_ wicked
woman; she's got some of my things because I'm behind-hand in my rent,
and she says she won't give them up; but she _shall_. I'll see that she
do. Ah! I'll have the law on her--the nasty, swearing, beastly--Oh!
she's a _wicked_ woman."
* * * * *
Think of the majesty of the English law which enables this pathetic yard
of twisted womanhood to hold her own in a foul court against "a wicked
woman" with arms like a bluejacket! But Miss Stipps is used to fighting
her own battles. When children yell after her, "Old Goody Witch!" she
swings about and takes her stick to them, pouring out such a flow of
imprecation upon their young heads that they run away in a panic of
alarm. Moreover, I have it on reliable authority that when Miss Stipps
steps over the way with her jug for a pint of porter, she is in the
habit, after reaching up her arm to receive the jug back from the
barman, of telling the young man pretty sharply that she isn't buying
froth, and that she'll trouble him to do a blow at the jug and to give
another pull to his tap, which won't hurt him, it won't, as he ain't yet
the proprietor of the place, and not likely to be, neither, if he treats
poor ladies in sich a wulgar and Sheeny fashion.
I beg Miss Stipp to desist from her labour of dabbing the grate with
streaky spots of black-lead, and implore her to take a seat and indulge
herself for an easy hour in anecdotal reminiscences. Miss Stipp yields
to my blandishments--that is to say, she backs against a little
cobbler's stool, a stool which the Baby Bear in that immortal legend of
"The Three Bears" would have found several sizes too small for it, and
appears to slope half an inch to the rear. By the action of crossing her
hands in her lap, and by the society smile on her face as she turns her
dewy nose in my direction, I gather, though I should never have
discovered it for myself, that Miss Stipp is seated.
Public-domain text, read in full here on John Shaqi.
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