The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tiredBegbie, Harold
General
The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tired
Begbie, Harold
Literature -- Collections
The little dwarf is familiar to hundreds of Londoners. Always nursing
the wall, and using a miniature crooked stick exactly like a
question-mark, she hobbles through the streets like a half-human beetle,
until she reaches some such place as the approach to a railway station,
where she finds it profitable to stand as though in great pain, rolling
sheep's eyes at the hurrying crowd. And many of those tenderhearted
gentlemen and kind old ladies, and dear little overdressed children
returning from a visit to Old Drury or the Tower of London, who have
slipped a penny or a sixpenny-bit into the claw of the dwarf, must often
have asked themselves at the time what manner of woman she is, and
bothered themselves to imagine how on earth she lives. The old
creature--for she is over seventy--is counted in statistics among the
proud population of this Seat of Empire, and she is as much subject to
the cosmic laws and as much a member of the human family as the tallest
and most swaggering Lifeguards-man who ever had "Cook's Son!" shouted at
him by irreverent urchin.
How she views the universe from her altitude of a yard, or a yard and
three inches; what her attitude is to God and man, and how life goes
with the old veteran after seventy odd years of its buffeting--these
were some of the mysteries which I brought with me into her back room by
the riverside for their unveiling by Miss Emma Stipp herself.
* * * * *
"I'm late this mornin', I am," she says, in her shrill fashion, standing
right against the fire like a demon that no flame can consume, and
vigorously rubbing at the grate with her black-lead brush. "The cause is
_'im_," she continues, turning to point the brush at the cat sleeping
on her bed, after she has rubbed the red tip of her long nose with a
portion of her knuckles and a portion of the brush. "Oh, he's a villain,
a dreadful villain he is," she cries, with exasperation, returning to
her work; "he worries my life out, he do, the 'orrid varmint. Last night
he didn't come home, he didn't. I set up for him, but he didn't come.
'Oh,' I says, 'if you're keepin' low company again,' I says, 'you can
stop out all night,' I says, 'for I'll sit up for you no longer; so
there, my ugly beauty.' And then in the middle of the night I wake up, I
do, feeling that cold, and sneezin' and snuffin', and irritatin' I was
from top to toe; and blest if Master Tom hadn't got upon the
window-sill, bust open that there piece of brown paper I had pasted over
the broken pane, I had, and let hisself in Yankee-doodle fashion, and
left me to perish with the cold."
Public-domain text, read in full here on John Shaqi.
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