"To muse, to dream, to conceive of fine works, is a delightful occupation." But one must go from conception to execution, crossing the gulf that separates "these two hemispheres of Art." "The man," says Balzac, "who can but sketch his purpose beforehand in words is regarded as a wonder, and every artist and writer possesses that faculty. But gestation, fruition, the laborious rearing of the offspring, putting it to bed every night full fed with milk, embracing it anew every morning with the inexhaustible affection of a mother's heart, licking it clean, dressing it a hundred times in the richest garb only to be instantly destroyed; then never to be cast down at the convulsions of this headlong life till the living masterpiece is perfected which in sculpture speaks to every eye, in literature to every intellect, in painting to every memory, in music to every heart!--this is the task of execution." Even the compiler knows something of this passion of the artist, experiences some at least of the convulsions of this headlong life, makes acquaintance certainly with this task of execution. To conceive such a volume as a Bed-Book of Happiness is one matter, to make it in very fact a Bed-Book of Happiness is another and a much harder matter. For, to begin with, one's judgment is not nearly so free and one's field of selection not nearly so wide as the anthologist's whose book is for all sorts and conditions of men, who may be as merry as he wishes on one page, as solemn as he chooses on the next, and as pathetic or sentimental as he likes on the page beyond. One has had to reject, for instance, humour that is too boisterous or noisy, wit that is too stinging and acrimonious, anecdotes that are touched with cruelty, essays that, otherwise cheerful, deviate into the shadows of a too sombre reflection. One has sought to compile a book of cheerfulness that is kind and of happiness that is quiet and composed. One has had always in mind the invalid just able to bear the effort of listening to a melodious voice. To amuse, to distract, to divert, and above all to charm--to bring a smile to the mind rather than laughter to the lips--has been the guiding principle of this book, and the task has not been easy. It is really extraordinary, to give but one instance of my difficulties, how frequently the most amusing work of comic writers is ruined by some chuckling jests about coffins, undertakers, or graves. If any reader in full health miss from this throng of glad faces, this muster of elated hearts, the most amusing and delightful of his familiar friends, let him ask himself, before he pass judgment on the anthologist, before he mistake a deliberate omission for a careless forgetfulness, whether those good friends of his, amiable and welcome enough at the dinner-table, are the companions he would choose for his most wearisome hours or for the bedside of his sick child. And if in these pages another should find that which neither amuses nor diverts