Macheath. _But hark_! _I hear the Toll of the Bell_.
Chorus. _Tol de rol lol_, &c.
_Jailor_. Four Women more, Captain, with a Child apiece! See, here they
come.
[_Enter Women and Children_.
_Macheath_. What—four Wives more!—This is too much—Here—tell the
Sheriff’s Officers I am ready.
[_Exit_ Macheath _guarded_.
_To them_, _Enter_ Player _and_ Beggar.
_Player_. But, honest Friend, I hope you don’t intend that _Macheath_
shall be really executed.
_Beggar_. Most certainly, Sir.—To make the Piece perfect, I was for
doing strict poetical Justice.—_Macheath_ is to be hang’d; and for the
other Personages of the Drama, the Audience must have suppos’d they were
all either hang’d or transported.
_Player_. Why then, Friend, this is a downright deep Tragedy. The
Catastrophe is manifestly wrong, for an Opera must end happily.
_Beggar_. Your Objection, Sir, is very just, and is easily remov’d. For
you must allow, that in this kind of Drama, ’tis no matter how absurdly
things are brought about—So—you Rabble there—run and cry, A Reprieve!—let
the Prisoner be brought back to his Wives in Triumph.
_Player_. All this we must do, to comply with the Taste of the Town.
_Beggar_. Through the whole Piece you may observe such a Similitude of
Manners in high and low Life, that it is difficult to determine whether
(in the fashionable Vices) the fine Gentlemen imitate the Gentlemen of
the Road, or the Gentlemen of the Road the fine Gentlemen.—Had the Play
remained, as I at first intended, it would have carried a most excellent
Moral. ’Twould have shewn that the lower Sort of People have their Vices
in a degree as well as the Rich: And that they are punish’d for them.
_To them_, Macheath _with_ Rabble, &c.
_Macheath_. So, it seems, I am not left to my Choice, but must have a
Wife at last.—Look ye, my Dears, we will have no Controversy now. Let us
give this Day to Mirth, and I am sure she who thinks herself my Wife will
testify her Joy by a Dance.
_All_. Come, a Dance—a Dance.
_Macheath_. Ladies, I hope you will give me leave to present a Partner
to each of you. And (if I may without Offence) for this time, I take
_Polly_ for mine.—And for Life, you Slut,—for we were really marry’d.—As
for the rest.—But at present keep your own Secret.
[_To_ Polly.
A DANCE.
AIR LXVIII. Lumps of Pudding, &c.
Public-domain text, read in full here on John Shaqi.
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