The earliest way of representing several animals seems to have been the making several like symbols—one for each. Five oxen, e.g. are expressed by five pictures. It is entirely natural that when a man is writing the same picture several times, one after another, and knows that others will know it to be a repetition, the process of conventionalizing, which goes on so fast under ordinary circumstances, should go even faster, until pictures four and five become simple scrawls and in the course of time the whole is reduced to practically a single picture and four straight lines. Here we have the individual record and the sample record combined. True picture writing is not very common on the ancient monuments and is chiefly to be studied in the primitive writings of uncivilized tribes such as the Bushmen and the North American Indians. There are, however, both in the Assyrian and Egyptian hieroglyphics many traces of the older pictures from which these are derived and the idea of the picture writing is seen in great fullness in the determinatives of the Egyptian writing, although it is likely that these are not so much remains as restorations. They consist, as is well known, of pictures which suggest something of the meaning of the word, e.g. all words related to writing are followed by the pictures of the scribe’s palette, with pen and ink moistener. This suggests at once that the word has something to do with writing. It is likely that the attaching of these to phonetic signs was the result of finding that there were so many words which had the same sounds. A very simple example of picture writing is given in Hoffman (p. 95) with its explanation. A canoe with a torch in the bow, three bucks and a doe, the sign for a lake, and the picture of two wigwams tells the story of a hunting expedition by torchlight on the lake from which three bucks and a doe were brought back to the wigwam. A slightly more complex one is given in Figure 3, which is the record of a shaman’s curing of a sick man. A more complex one, given on page 26, with its explanation on pages 170-72, is the mnemonic song of an Ojibway medicine man. One method of picture writing shows an action by several successive stages of the same act. This is most commonly a picture of corresponding gesture signs. The picture writing by successive pictures, showing successive stages of a story, is a favorite method in the modern German humorous illustrated papers, and has, of course, its perfect modern counterpart in the cinematograph. Any collection of wampum belts, birch bark, calendar skins, blankets, or other picture writing records, is of course a picture library which has already begun to take on the distinct character of the modern library. § 16. _Ideographic records_