Children -- Fiction; Families -- Fiction; Small cities -- Social life and customs -- Fiction; Summer -- Fiction
The first part of the plan was carried out. We crossed the meadow
stealthily, creeping a greater part of the way on our hands and knees.
Once in a while, when this got tiresome, we would rise and walk in the
normal fashion, which was probably just as safe, for there was no one
within half a mile.
As we slunk by the rear of the barn we came suddenly on Mr. Bartlett
and his man, Foley. There was no time to run. Mr. Bartlett addressed us
genially.
"Hullo, boys! Want to see something? Look in this box. Peacocks'
eggs--white peacocks, too. Very rare. We're going to set them under
that peahen in the orchard. I suppose she's there all right, Foley?"
"Yis, sorr. She was at foive o'clock this marning, sorr. Oi give her
four ducks' eggs to kape her continted-loike."
"All right, then. Come on, boys. We'll see how she's getting on. We'll
have to set a guard around her while she hatches these out. They're
too valuable to risk. Do you suppose she'd stand for it if we put up
a little tent around her, Foley? Big nuisance she won't set in some
convenient place."
Mr. Bartlett and Foley walked on ahead, discussing ways and means for
protecting the peahen against marauders. We followed, a dozen steps
behind. The shadow of the dungeon fell no longer upon our path, and
there was no necessity for joining the circus. We did not admit it to
each other, but we felt it to be a happy release.
In a moment we heard Foley's voice.
"Here she is, sorr. An' settin' on nothin' again. Phwhere's thim
ducks' eggs gone, Oi dunno. Somebody's shtole thim, fir the birrd
niver ate thim, shills an' all. 'Twill niver do to lave thim ixpinsive
eggs here, sorr!"
Jimmy Toppan and I maintained expressions of innocent wonder.
CHAPTER X
THE FLIGHT
The day before the circus found me at home again. Without delay I set
out to find Ed Mason, Charley Carter, and any of the others who could
give me the latest information on the topic that absorbed us all.
For, since the Fourth of July, there had been nothing so important as
the approach of this circus. For two weeks we had studied the posters.
Whether the hippopotamus would in very truth have a mouth somewhat
larger than the door of the barn to which his portrait was affixed;
whether the head of the giraffe would actually soar above the clouds,
as represented; and whether a beautiful lady would indeed stand on the
tip of an elephant's trunk and airily juggle three baby lions and a
Japanese parasol--these problems had vexed us for fourteen long days.
Charley Carter stuck out for the literal accuracy of the posters.
"'Cos if it wasn't so, they wouldn't dare to print 'em--it's against
the law."
This was his argument. Truth to say, none of us were strongly inclined
to oppose him. We were more than willing to accept the pictures as
photographic.
This point decided without further discussion, we could devote our
meditations to the circus itself. We could lay our plans and dream our
dreams in all felicity.
Public-domain text, read in full here on John Shaqi.
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