The Bell in the Fog and Other StoriesAtherton, Gertrude Franklin Horn
General
The Bell in the Fog and Other Stories
Atherton, Gertrude Franklin Horn
Gothic fiction; Short stories; United States -- Social life and customs -- Fiction
The place gratified all his ideals and dreams--for he had romanced about
his sometime English possession as he had never dreamed of woman. It had
once been the property of the Church, and the ruin of cloister and
chapel above the ancient wood was sharp against the low pale sky. Even
the house itself was Tudor, but wealth from generation to generation had
kept it in repair; and the lawns were as velvety, the hedges as rigid,
the trees as aged as any in his own works. It was not a castle nor a
great property, but it was quite perfect; and for a long while he felt
like a bridegroom on a succession of honeymoons. He often laid his hand
against the rough ivied walls in a lingering caress.
After a time, he returned the hospitalities of his friends, and his
invitations, given with the exclusiveness of his great distinction, were
never refused. Americans visiting England eagerly sought for letters to
him; and if they were sometimes benumbed by that cold and formal
presence, and awed by the silences of Chillingsworth--the few who
entered there--they thrilled in anticipation of verbal triumphs, and
forthwith bought an entire set of his books. It was characteristic that
they dared not ask him for his autograph.
Although women invariably described him as "brilliant," a few men
affirmed that he was gentle and lovable, and any one of them was well
content to spend weeks at Chillingsworth with no other companion. But,
on the whole, he was rather a lonely man.
It occurred to him how lonely he was one gay June morning when the
sunlight was streaming through his narrow windows, illuminating
tapestries and armor, the family portraits of the young profligate from
whom he had made this splendid purchase, dusting its gold on the black
wood of wainscot and floor. He was in the gallery at the moment,
studying one of his two favorite portraits, a gallant little lad in the
green costume of Robin Hood. The boy's expression was imperious and
radiant, and he had that perfect beauty which in any disposition
appealed so powerfully to the author. But as Orth stared to-day at the
brilliant youth, of whose life he knew nothing, he suddenly became aware
of a human stirring at the foundations of his aesthetic pleasure.
"I wish he were alive and here," he thought, with a sigh. "What a jolly
little companion he would be! And this fine old mansion would make a far
more complementary setting for him than for me."
Public-domain text, read in full here on John Shaqi.
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