The belle of a seasonBlessington, Marguerite, Countess of
General
The belle of a season
Blessington, Marguerite, Countess of
English poetry -- 19th century
The night is come—and now to eyes
Behold the scarlet curtain rise,
Which never novel’s page had read,
But history, voyages, instead,
With lives of great and virtuous men,
Such as a Plutarch loved to pen;
For poetry the maid had pleaded,
And but enjoyed it—wisely weeded:
Little she dreamed, how much less knew,
What things Italian play-wrights do!
Judge then—to make her entrance easy,
The piece was “Norma,” played by Grisi!
A Priestess breaking vestal vows,
A mother twice—not once a spouse:
All frenetic with jealous rage,
Which nought but vengeance can assuage,
Grasping a keen and murderous dagger,
To yon low couch behold her stagger,
Where sleep her babes:—but love prevails,
The mother stays—the murderess fails!
When this dark picture Mary saw
She trembled—scarcely dared to draw
Her breath—the while Bellini stole
With magic witchery through her soul,
And tears relieved her; then there came
O’er her young brow the blush of shame.
Around she timid glanced her eye,
But none looked shocked, and none looked shy;
Faces, as youthful as her own,
Were placid all—nor there were shewn
The feelings wakened in _her_ breast,
By Norma’s love and shame confessed!
The curtain falls—the horror’s o’er,
And Mary calmer breathes once more!
[Illustration:
_The Opera_
_BRISK MUSIC GAYER SCENES ANNOUNCES
AND IN A HALF-DRESSED DANSEUSE BOUNCES_
]
Brisk music gayer scenes announces,
And in a half-dressed _danseuse_ bounces,
With arms that wreathe, and eyes that swim,
And drapery that scarce shades each limb,
And lip that wears a studied smile,
Applauding coxcombs to beguile,
As _entre-chat_ or _pirouette_
Doth “_Brava!_” thundered loud, beget.
When Mary saw her vault in air,
Her snow-white tunic leaving bare
Her limbs—and heard that deafening shout
Grow louder as she twirled about,
With one leg pointing towards the sky
As if the gallery to defy;
Surprised, and shocked, she turned away,
Wondering how women e’er could stay,
And thinking men must sure be frantic
Who patronised such postures antic;
She felt abashed to meet the eye
Of every fop that loitered by:
And, oh! how rudely did it vex
Her fresh, pure heart, to mark her sex
Thus outraged, while the noblest came
To gaze and revel in their shame.
Her troubled look the mother saw,
And rose all-pitying, to withdraw,
Convinced such shows must pain dispense
To one bred up in innocence.
But there was one who joyed to see
The pure and shrinking modesty
Of this fair girl—’twas Deloraine!
Ah! stands he at her side again?
[Illustration:
_The Maiden’s Chamber_
_HERE GAY AND PLACID SPEED THE HOURS
AMONG HER MUSIC, BOOKS, AND FLOWERS_
]
Yes, he now knows that there can be
No maid more innocent than she;
And doth with pitying look survey
The bolder damsels—pleased to stay,
And watch what makes the indignant blush
Warm to his idol’s forehead rush.
Public-domain text, read in full here on John Shaqi.
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