New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; United States -- History -- War of 1812 -- Fiction
“We will not discuss that question. It involves too many of our own
kindred. Madame Jonaca, her grandmother, her uncle, Judge Bloommaert,
and her Grandfather de Vries ought perhaps not to have taken the young
man’s ‘conformity’ for reality. That is past. The atonement made was
very real and lasting. Immediately on her return from Paris Annette
bought a beautiful home, she had the finest horses and carriages in New
York, and she brought from far and near the very best teachers for her
daughters. But in spite of this apparent extravagance she kept a strict
account of every expense, and made every dollar earn its fullest
percentage. Besides which, she speculated wisely, and was fortunate in
every money transaction she touched. The Van Sants owe to her prudence
all the luxury they enjoy to-day. They do well to praise her. I was
thinking of her bride picture, and of the sad, sombrely clothed woman I
remembered, when you came into the room. And I had just come to the
conclusion that her husband’s withdrawal was a fortunate thing for
Annette and her daughters.”
“She gave up all for her children. She was a good woman.”
“I do not believe she would have given up the crossing of a ‘t’ if it
had not been for her children. She had spirit enough to have fought
every court in France,--when she was from under her husband’s
influence,--but motherhood was Annette’s passion, and if the Van Sants
and Varians knew Annette St. Ange’s true story they would give hearty
thanks and praise to the self-effacing woman who chose for them wealth
and honour in America rather than a foreign nobility, with perhaps the
bar sinister across it.”
“I am going to take a good look at Annette St. Ange’s picture to-morrow,
mother. I have been rather worried lately at our Gerard’s attentions to
Clara Van Sant, but if she has any share in her grandmother’s reticent,
self-respecting, prudent, far-seeing nature, Gerard has my blessing. He
can marry Clara to-morrow. What have you done with that square of glass,
mother?”
“It is in my desk.”
“I would have it fitted into one of the windows in your private
sitting-room.”
“Thank you for the suggestion, Carlita.”
“I cannot help wondering at fate, or whatever you call the power that
orders our lives. Here were two women brought up in the same kind of
loving, orderly homes, and surrounded by just the same influences, and
the marriage of one is a living tragedy, and the marriage of the other
is a song of love. How did the difference come to pass?”
“There were personal reasons in both cases to account for the
difference--if there was all the dissimilarity you suppose.”
“Was there not?”
Public-domain text, read in full here on John Shaqi.
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