Comedy plays; English drama -- 18th century; London (England) -- Drama; Man-woman relationships -- Drama; Married people -- Drama
_Dor._ My charming Bride! It was a strange perversion of Taste, that led
me to consider the delicate timidity of your deportment, as the mark of
an uninform'd mind, or inelegant manners. I feel now it is to that
innate modesty, _English_ Husbands owe a felicity the Married Men of
other nations are strangers to: it is a sacred veil to your own charms;
it is the surest bulwark to your Husband's honour; and cursed be the
hour--should it ever arrive--in which _British_ Ladies shall sacrifice
to _foreign Graces_ the Grace of Modesty!
_FINIS._
EPILOGUE.
_Nay, cease, and hear me--I am come to scold--_
_Whence this night's plaudits, to a thought so old?_
_To gain a Lover, hid behind a Mask!_
_What's new in that? or where's the mighty task?_
_For instance, now--What Lady Bab, or Grace,_
_E'er won a Lover--in her_ natural _Face_?
_Mistake me not--French red, or blanching creams,_
_I stoop not to--for those are hackney'd themes;_
_The arts I mean, are harder to detect,_
_Easier put on, and worn to more effect;--_
_As thus----_
_Do Pride and Envy, with their horrid lines,_
_Destroy th' effect of Nature's sweet designs?_
_The Mask of Softness is at once applied,_
_And gentlest manners ornament the Bride._
_Do thoughts too free inform the Vestal's eye,_
_Or point the glance, or warm the struggling sigh?_
_Not Dian's brows more rigid looks disclose;_
_And Virtue's blush appears, where Passion glows._
_And you, my gentle Sirs, wear Vizors too;_ }
_But here I'll strip you, and expose to view_ }
_Your hidden features----First I point at you._ }
_That well-stuff'd waistcoat, and that ruddy cheek;_
_That ample forehead, and that skin so sleek,_
_Point out good-nature, and a gen'rous heart----_
_Tyrant! stand forth, and, conscious, own thy part:_
_Thy Wife, thy Children, tremble in thy eye;_
_And Peace is banish'd--when the_ Father's _nigh_.
_Sure 'tis enchantment! See, from ev'ry side_
_The Masks fall off!--In charity I hide_
_The monstrous features rushing to my view----_
_Fear not, there, Grand-Papa--nor you--nor you:_
_For should I shew your features to each other,_
_Not one amongst ye'd know his Friend, or Brother._
_'Tis plain, then, all the world, from Youth to Age,_
_Appear in Masks--Here, only, on the Stage,_
_You see us as we are:_ Here _trust your eyes;_
_Our wish to please, admits of no disguise._
_Of the Publisher may be had_,
_By the same_ AUTHOR,
THE RUNAWAY, a Comedy.
ALBINA, a Tragedy.
WHO'S THE DUPE? a Farce.
THE MAID OF ARRAGON, a Poem, Part I.
* * * * * *
Transcriber's note:
Public-domain text, read in full here on John Shaqi.
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