Homeless persons -- Fiction; London (England) -- Fiction
I did not in the least know what he meant, which was what he intended.
When I consulted Blanquette one morning, as she and I alone were
sauntering down the long shady avenue which connects the town with the
little-port of the lake, she said that people went into the Cercle and
the Villa des Fleurs, the two Wonder Houses aforesaid, merely to gamble.
I pooh-poohed the notion.
"The Master says they are Temples of great strange gods, where people
worship."
"Gods! What an idea! _Il n'y a que le bon Dieu_," quoth Blanquette.
"You have evidently not heard of the gods of Greece and Rome, Jupiter
and Apollo and Venus and Bacchus."
"_Ah, tiens_," said Blanquette. "I have heard Italians swear 'Corpo di
Bacco.' That is why?"
"Of course," said I in my grandest manner, "and there are heaps of other
gods besides."
"All the same," she objected, "I always thought the Italians were good
Catholics."
"So they may be," said I, "but that doesn't prove that there are not
beautiful gods and goddesses and idols and shrines in the Cercle and the
Villa des Fleurs."
As this was unanswerable Blanquette diverted the conversation to the
less transcendental topic of the premature baldness of Monsieur Laripet.
* * * * *
If the doings of the bright happy beings were hidden from me while they
worshipped in the Casinos, I at least met them at close quarters in the
garden of the Restaurant du Lac. In some respects this garden resembled
that of the Restaurant du Soleil at Chambéry. There was a verandah round
the restaurant itself, there were trees in joyous leafage, there were
little tables, and there were waiters hurrying to and fro with napkins
under their arms. But that was all the resemblance. Our little platform
stood against the railings separating the garden from the quay. Behind
us shimmered the blue lake, great mountains rising behind; away on the
right, embosomed in the green mountainside, flashed the white Château de
Hautecombe. Always in mid-lake a tiny paddle-steamer churned up a wake
of white foam. On the quay itself stood an enchanting little box--a
_camera obscura_--to which I as a fellow artist was given the _entrée_
by the proprietor, and in which one could see heavenly pictures of the
surrounding landscape; there were also idle cabs with white awnings, and
fezzed Turks perspiring under furs and rugs which they hawked for sale.
In front of us, within the garden, a joyous crowd of the radiantly
raimented laughed over dainty food set on snowy cloths. Here and there a
lobster struck a note of colour, or a ray of sunlight striking through
the red or gold translucencies of wine in a glass: which distracted my
attention from my orchestral duties and caused an absent-minded jingle
of my tambourine.
Public-domain text, read in full here on John Shaqi.
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