The beloved of Hathor, and The shrine of the Golden HawkFarr, Florence
History
The beloved of Hathor, and The shrine of the Golden Hawk
Farr, Florence
Egypt -- History, Ancient -- Drama; English drama
CURTAIN.
NOTE.—It is interesting to point out that the final ecstasy of Nectoris
is quoted thought for thought from the earliest Egyptian texts which
have yet been discovered. Just as the Modern World has come to think of
Heaven as a state rather than as a place, so we learn from these texts
that the wise men of the Ancient World had gone a step farther, and knew
the gods to be states and not persons.
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[Illustration: Logo for F. F., printer, Croydon]
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Transcriber’s Notes
This file uses _underscores_ to indicate italic text, except on the
title page, where quotation marks were used for improved readability.
The text uses the terms “Yeoiret” and “Yeioret” once each. These are
likely supposed to be the same, but since it was not clear which was
correct, they have been left as printed.
Itemized changes from the original text:
In _The Beloved of Hathor_:
• Changed “Mout” to “Maut” in line: Maut, the Vulture-Mother
• Adjusted final punctuation in stage direction: (_re-enters,
muttering_).
• Supplied missing opening parentheses in stage direction: (_The chant
continues._)
• Added period after stage direction: _Aahmes_ (_cries_).
• Added period after stage direction: (_As he goes voices outside._)
• Added period after stage direction: _Ranoutet_ (_prays_).
In _The Shrine of the Golden Hawk_:
• Supplied missing opening parentheses in stage direction: (_The Priest
of Harvests brings corn...._
• “Priests” changed to “Priest” in line: Let the Priest of the Harvest
and the Famine do homage before Heru!
• “_Priest of the Harvests._” changed to “_The Priest of Harvests._” to
match other occurrences before line: So long as Heru in the form of
the Golden Hawk....
• “_Priest of the Waters._” changed to “_The Priest of Waters._” to
match other occurrences before line: The Golden Hawk is hidden within
the shrine....
• Adjusted final punctuation in stage direction: (_She salutes him in
the Egyptian manner._)
Public-domain text, read in full here on John Shaqi.
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