Annie proceeded to bear her sober, fine, dull, and devoted Hendrick two splendid sons, and thus riveted to herself his lasting devotion and trust. The old name was safe, the millions would descend duly to young Hendrick and Piet. The family had been rich, conspicuous, and respected in the city, since its sturdy Holstein cattle had browsed along the fields of lower Broadway, but under Annie's hands it began to shine. Annie's handsome motor-cars bore the family arms, her china had been made in the ancestral village, two miles from Rotterdam, and also carried the shield. Her city home, in Fifth Avenue, was so magnificent, so chastely restrained and sober, so sternly dignified, that it set the cue for half the other homes of the ultra-aristocratic set. Annie's servants had been in the Von Behrens family for years; there was nothing in the Avenue house, or the Newport summer home, that was not as handsome, as old, as solid, as carven, as richly dull, or as purely shining, as human ingenuity could contrive to have it. Collectors saved their choicest discoveries for Annie; and there was no painter in the new world who would not have been proud to have Annie place a canvas of his among her treasures from the old. If family relics were worth preserving, what could be more remarkable than Annie's Washington letter, her Jefferson tray, her Gainsboroughs of the Murisons who had been the only Americans so honoured by the painter? Melrose and Von Behrens honours crowded each other--here was the thin old silver "shepherdess" cup awarded that Johanna von Behrens who had won a prize with her sheep, while Washington was yet a boy; and here the quaint tortoise-shell snuff-box that a great prince, homeless and unknown, had given the American family that took him in; and the silver buttons from Lafayette's waistcoat that the great Frenchman had presented Colonel Horace Murison of the "Continentals." These things were not thrust at the visitor, nor indeed were they conspicuous among the thousand other priceless souvenirs that Annie had gathered about her. "Rather nice, isn't it?" Annie would say, abstractedly, when some enthusiastic girl pored over the colonial letters or the old portraits. "See here, Margaret," she might add, casually, "do you see the inside of this little slipper, my dear? Read what's written there: 'In these slippers Deborah Murison danced with Governor Winthrop, on the night of her fifteenth birthday, July 1st, 1742.' Isn't that rather quaint?"